Odwrót bohaterów. Śmierć syjonistycznego mitu Masady w fi lmie Twierdza Beaufort Josepha Cedara

• Authors: Maciej Pietrzak

Title variants

EN

Withdrawal of Heroes: Death of the Zionist Myth of Masada in Joseph Cedar’s Beaufort

• Languages of publication: PL

Abstracts

EN

Withdrawal of Heroes: Death of the Zionist Myth of Masada in Joseph Cedar’s Beaufort Masada is an ancient fortress, which during The First Jewish–Roman War (66–73 CE) served as a refuge for the last bastion of Jewish resistance. In the first half of the twentieth century, the history of the Masada’s defenders was absorbed by the Zionist movement and transformed into a vital national myth, which became an important element of the identity and culture of future Israelis. The main purpose of this article is to show the deconstruction of the Masada mythical narrative made by Israeli director Joseph Cedar in his movie Beaufort.

Keywords

PL

Beaufort; Zionism; Israeli cinema; national myths

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2015
• Volume: 17
• Issue: 26
• Pages: 151-159

Dates

published

2015-06-13

Contributors

author

Maciej Pietrzak

• Uniwersytet im. Adama Mickiewicza w Poznaniu

References

• P. Jędrzejewski, Judaizm bez tajemnic, Tora Pardes, Kraków 2012, s. 261−262.
• N. Ben-Yehuda, The Masada Myth. Collective Memory and Mythmaking in Israel, University of Wisconsin Press, Madison 1995, s. 232–239.
• Y. Zerubavel, The Death of Memory and the Memory of Death: Masada and the Holocaust as Historcal Metaphors, „Representations” 1994, nr 45, s. 77.
• D. Kaye, The Israeli Decision to Withdraw from Southern Lebanon: Political Leadership and Security Policy, „Political Science Quarterly” 2002, nr 4, s. 561–585.
• Y. Peleg, Beaufort the Book, Beaufort the Film. Israeli Militarism under Attack, w: Narratives of Dissent: War in Contemporary Israeli Arts and Culture, red. R.S. Harris i R. Omer-Sherman, Wayne State University Press, Detroit 2012, s. 336.
• R. Yosef, Traces of War: Memory, Trauma, and the Archive in Joseph Cedar’s „Beaufort”, „Cinema Journal” 2011, nr 2, s. 61.

Identifiers

DOI

10.14746/i.2015.26.13