Sztuka permutacyjna jako forma oporu w kinie eksperymentalnym

• Authors: FILIP GABRIEL PUDŁO

Title variants

EN

Permutation Art as a Form of Resistance in Experimental Cinema

• Languages of publication: PL

Abstracts

EN

Permutation Art as a Form of Resistance in Experimental Cinema This study aims to present two examples of permutation films as forms through which experimental cinema resisted the reality of the 1970s. The analysis is based on two works by members of the Workshop of the Film Form: “1, 2, 3... Cinematographers Exercise” by Paweł Kwiek and “Apnoea” by Wojciech Bruszewski. Analysis and comparison of the two oeuvres is performed with the use of methods characteristic for these types of cinematic forms. This work also discusses the idea and historical context of permutation art and presents its relationship with particular current activities in the field of art.

Keywords

PL

permutation art; 1; 2; 3... Cinematographer’s Exercise; Paweł Kwiek; Apnoea; Wojciech Bruszewski Bezdech

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2016
• Volume: 18
• Issue: 27
• Pages: 143-150

Dates

published

2016-10-09

Contributors

author

FILIP GABRIEL PUDŁO

• Lodz Film School

References

• Kluszczyński R.W., 2012, Przestrzenie generatywności. Wprowadzenie do twórczości Wojciecha Bruszewskiego, „Dialog” nr 7–8.
• Meigh-Andrews C., 2006, A History of Video Art, Berg, New York.
• Ronduda Ł., 2009, Sztuka polska lat 70. Awangarda, Warszawa.
• Shanken E.A., 2009, Art and Electronic Media, London.
• Warsztat Formy Filmowej 1970–1977, 2000, red. R.W. Kluszczyński, Warszawa.
• Wilson S., 2002, Information Arts, Intersections of Art, Science, and Technology, Cambridge, Mass.
• Zagrodzki J., 2010, Bruszewski. Fenomeny percepcji, Łódź.
• www.artmuseum.pl/pl/filmoteka/praca/bruszewski-wojciech-bezdech>.
• www.artmuseum.pl/pl/filmoteka/praca/kwiek-pawel-123-cwiczenie-peratorskie>.

Identifiers

DOI

10.14746/i.2016.27.10.