Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2016 | 18 | 27 | 346-353

Article title

Bohater o wielu twarzach. Ewolucja syjonistycznego mitu Sabry we współczesnym izraelskim kinie wojennym

Authors

Content

Title variants

EN
The many-faced hero. The evolution of the Zionist myth of Sabra in the contemporary Israeli war films

Languages of publication

PL

Abstracts

EN
The many-faced hero. The evolution of the Zionist myth of Sabra in the contemporaryIsraeli war films The concept of the New Jew was one of the most important founding myths of Zionism. During the construction of a Jewish state in Palestine, the New Jew was hailed Sabra (with reference to the kind of prickly pear popular in this region). In the twentieth century, the figure of Sabra became an important element of the identity and culture of Israelis. The main purpose of this article is to show the evolution of the mythical narrative typical for the cinematic incarnations of Sabra, which in recent decades has taken place in Israeli war films.

Keywords

Year

Volume

18

Issue

27

Pages

346-353

Physical description

Dates

published
2016-10-09

Contributors

  • Department of Film, Television and New Media Adam Mickiewicz University, Poznań, Poland

References

  • Almog O., 2000, The Sabra – The Creation of the New Jew, Los Angeles.
  • Chyutin D., 2011, Negotiating judaism in contemporary Israeli Cinema, w: Israeli Cinema Identities in Motion, eds. M. Talmon, Y. Peleg, Austin.
  • Gershenson O., 2011, Immigrant cinema – Russian Israelis on screens and behind the cameras, w: Israeli Cinema Identities in Motion, eds. M. Talmon, Y. Peleg, Austin.
  • Loshitzky Y., 2001, Identity Politics on the Israeli Screen, Austin.
  • Shohat E., 2010, Israeli Cinema East/West and the Politics of
  • Representation, London.
  • Yosef R., 2004, Beyond Flesh: Queer Masculinities and Nationalism in Israeli Cinema, New Brunswick.
  • Yosef R., 2011, Homonational desires – masculinity, sexuality and trauma in the cinema of Eytan Fox, w: Israeli Cinema Identities in Motion, eds. M. Talmon, Y. Peleg, Austin.
  • Zerubavel Y., 2000, The mythological Sabra and Jewish past: trauma, memory and contested identities, “Israeli Studies”, nr 7.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_i_2016_27_24_
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.