Przeciw formalizmowi. Teshigahary Hiroshiego dialog z tradycjami i współczesnością sztuk wizualnych w kinie

• Authors: MAREK BOCHNIARZ , PRZEMYSŁAW SZTAFIEJ

Title variants

EN

Against formalism. Teshigahara Hiroshi’s dialogues with tradition and the present of visual cinematic art

• Languages of publication: PL

Abstracts

EN

Against formalism. Teshigahara Hiroshi’s dialogues with tradition and the present of visual cinematic art The authors examine Teshigahara Hiroshi’s little-known early documentary films Ikebana and Inochi, as well as his later historical films Rikyu and Go-hime. Their aim is to demonstrate how the director refers to the themes of art and the artist in the context of visual art and the work of his father, Teshigahara Sofo.

Keywords

PL

Teshigahara Hiroshi; Ikebana; Inochi; Sofu no chokoku; Rikyu; Go-hime

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2016
• Volume: 19
• Issue: 28
• Pages: 273-179

Dates

published

2016-11-03

Contributors

author

MAREK BOCHNIARZ

author

PRZEMYSŁAW SZTAFIEJ

References

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• Directory of World Cinema, 2010, vol. 1, Japan, ed. J. Berra, Bristol, Chicago.
• Kawase T., 1990, Inspired Flower Arrangements, Tokyo.
• Schilling M., 1999, Contemporary Japanese Film, Boston.
• Sharp J., 2011, Historical Dictionary of Japanese Cinema, Lanham-oronto–Plymouth.
• Teshigahara W., 1990, Ikebana: A New Illustrated Guide to Mastery, Tokyo-New York.
• The Concise Routledge Encyclopedia of the Documentary Film, 2013, ed. I. Aitken, London-New York.
• Tomoda Y., 2012, Sengo zen’ei eiga to bungaku. Abe Kōbō X Teshigahara Hiroshi, Tokyo.
• Ward P., 2005, Short Cuts, Documentary: The Margins of Reality, London–New York.

Identifiers

DOI

10.14746/i.2016.28.20.