Aktor jako cyfrowa marioneta, czyli Edward Gordon Craig w kinie przyszłości

• Authors: Marek Hendrykowski

Title variants

EN

An Actor as a Digital Marionet, or Edward Gordon Craig in the Cinema of the Future

• Languages of publication: PL

Abstracts

PL

Screen actor as a digital puppet? From one point of view, that potentially becomes an interesting platform for modern way of spectacularity and for communications. From another, it’s something destructive and dangerous for the film art. Marek Hendrykowski’s essay analyzes possible consequences of new era of digital actorship in the shadow of its fundamental question and challenge: what happens with man in this form of moving pictures creation.

Keywords

PL

actor; character; acting; metamorphosis; virtual reality; digital phantom; the art of film

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2017
• Volume: 21
• Issue: 30

Dates

published

2018-04-26

Contributors

author

Marek Hendrykowski

• Instytut Filologii Polskiej Uniwersytet im. Adam Mickiewicza w Poznaniu

References

• Craig E.G., Uwagi o teatrze, przeł. M. Skibniewska, wstęp i noty Z. Hübner, Warszawa 1985
• „Images. The International Journal of European Film, Performing Arts and Audiovisual Communication” (special issue: „Actor, Acting”) Eds. J. Celeda, W. Otto, 2016, vol. XIX, no. 28
• Pokromski W., Metamorfoza Mefista, rozm. M. Sendecka, „FilmPro” 2011, nr 4
• Virilio P., The Vision Machine, trans. by J. Rose, Bloomington-London 1994
• Virilio P., War and Cinema. The Logistics of Perception, trans. by P. Camiller, London-New York 1989
• Ziomek J., Aktor w systemie znaków, „Dialog” 1967, nr 9

Identifiers

DOI

10.14746/i.2017.30.21.