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2018 | 23 | 32 |

Article title

Deviating memories: Armando Lulaj’s seriously playful excursions into Albania’s history

Authors

Content

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Languages of publication

EN

Abstracts

EN
This paper examines how certain contemporary audio-visual works from post-socialist countries in the Balkan region, employ archival footage from the communist period, to address and problematize the notion of remembering and suppressing national history through collective memory. I specifically focus on the work of the Albanian artist, Armando Lulaj and his videos Albanian Trilogy: A Series of Devious Stratagems (2011, 2012 and 2015) exhibited at the 56th Venice Biennale. By re-using images and narratives produced during Enver Hoxha’s regime, and still ingrained in Albanian visual memory, these films provide alternative readings of Albanian history from the Cold War to the present day. What is more, some of this archival material is made public for the first time, while the rest has been dormant and purposely forgotten in archival vaults. Lulaj’s playful excursions, create connections between a problematic and suppressed past and the difficult and selective present, by juxtaposing evocative and politically charged visual records and contemporary footage of artist’s commissioned performances.

Contributors

author
  • School of Arts and Social Sciences Monash University Malaysia

References

  • Huyssen A., Twilight Memories: Marking Time in a Culture of Amnesia, New York 1995.
  • Mehilli E., States of insecurity, “The International History Review” 2015, vol. 37, no. 5.
  • Nora P., Between Memory and History: Les Lieux de mémoire, “Representa- tions” 1989, no. 26.
  • Personal interview with Armando Lulaj, 15 November 2017.
  • Scotini M. (ed.), Armando Lulaj. Albanian Trilogy: A Series of Devious Stratagems. Catalogue, Berlin 2015

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_i_2018_32_05
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