PL EN


2020 | 28 | 37 | 328-337
Article title

Płacząc po norwesku. Serial Skam jako opowieść transmedialna dla międzynarodowej publiczności

Content
Title variants
EN
Crying in Norwegian. Skam as transmedia storytelling for international audiences
Languages of publication
PL
Abstracts
EN
The article aims to analyse the phenomenon of a Norwegian Internet-TV show for teenage audiences, Skam (2015–2017). The transmedia storytelling used in this production resulted in unforeseen international acclaim, subsequently leading to the creation of local remakes of the series. The article will outline the main issues that the show has dealt with, as well as the immersion-building narrative solutions used by the creators. Moreover, it will discuss Skam’s reception by Norwegian and international audiences, and suggest potential directions for the future development of this format.
Year
Volume
28
Issue
37
Pages
328-337
Physical description
Dates
published
2021-03-31
Contributors
  • Uniwersytet Jagielloński w Krakowie
References
  • Bartleet L., Why you should be watching Skam, Tumblr’s most talked-about TV show of 2017, „NME” 2017, <https://www.nme.com/blogs/tv-blogs/watching-skam-tumblrs-talked-tv-show-2017-2168642>
  • Donadio R., Will ‘Skam,’ a Norwegian hit, translate?, „The New York Times” 2016, <https://www.nytimes.com/2016/12/09/arts/television/will-skam-a-norwegian-hit-translate.html>
  • Eggesvik O., Nå har Oslo fått sitt første rødgrønne budsjett på 19 år, „Aftenposten”, 2016, <https://www.aftenposten.no/osloby/i/8M7bW/naa-har-oslo-fa-att-sitt-foerste-roedgroenne-budsjett-paa-19-aar>
  • Fandalen J.I., Nerven i „Skam” skal være sterk og relevant, „Rushprint” 2016, <https://rushprint.no/2016/04/nerven-i-skam-skal-vaere-sterk-og-relevant/>
  • Green D., The most popular social media platforms with Gen Z, „Business Insider” 2019, <https://www.businessinsider.com/gen-z-loves-snapchat-instagram-and-youtube-social-media-2019-6?IR=T>
  • Jenkins H., Kultura konwergencji. Zderzenie starych i nowych mediów, przeł. M. Filiciak, Warszawa 2007
  • Jørgensen K.K., Mener „Skam” burde være pensum, „NRK”, 2016, <https://www.nrk.no/livsstil/me-ner-_skam_-burde-vaere-pensum-1.12959025>
  • Leszkiewicz A., Skam, interrupted: why is the phenomenally popular teen drama ending before its peak?, „New Statesman” 2017, <https://www.newstatesman.com/culture/tv-radio/2017/06/skam-interrupted-why-phenomenally-popular-teen-drama-ending-its-peak>
  • Leszkiewicz A., Skam: how one Norwegian teen drama got the TV depiction of sexual assault right, „New Statesman” 2017, <https://www.newstatesman.com/culture/tv-radio/2017/03/skam-how-one-norwegian-teen-drama-got-tv-depiction-sexual-assault-right>
  • Max D.T., „SKAM”, the radical teen drama that unfolds one post at a time, „New Yorker” 2018, <https://www.newyorker.com/magazine/2018/06/18/skam-the-radical-teen-drama-that-unfolds-one-post-at-a-time>
  • Nilsen K.S., Elnan C., Why NRK can’t translate Skam, „NRK” 2016, <https://www.nrk.no/kultur/why-nrk-can_t-translate-skam-1.13208362>
  • Taylor T., How Skam’s Isak and Even revolutionized teen TV, „Interview Magazine” 2017, <https://www.interviewmagazine.com/film/skams-isak-even-revolutionized-teen-tv>
  • Tired I., Fjelletveit I., Skam-skuespillerne møtte William og Kate. Men hertugparet hadde neppe sett serien, „Aftenposten” 2018, <https://www.aftenposten.no/verden/i/MgLRkK/skam-skuespillerne-moette-william-og-kate-men-hertugparet-hadde-neppe-sett-serien>
  • Woldsdal N., Michelsen I., Skam slår alle rekorder, „NRK” 2016, <https://www.nrk.no/kultur/skam-slar-alle-rekorder-1.13282929>
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.ojs-doi-10_14746_i_2020_37_19
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