„Гамлет. Версия” Бориса Акунина как отказ от регламентации шекспировского интертекста

• Authors: Kristina Kiseleva

Title variants

EN

„Hamlet. Version” Boris Аkunin’s as a refusal of regulation of Shakespeare’s text

• Languages of publication: RU

Abstracts

RU

The present article aims at analyzing one of the modern drama's strategies  - playing with a classical text. Boris Akunin's Hamlet. Version, which is at the core of my interests, is comparable to such famed Hamlet’s alterations as Tom Stoppard's Rosenkrantz and Guilderstern Are Dead. The uniqueness of Akunin's work lays in building the individual strategy, while taking into the mass recipient consideration. The forecast is not comforting - consumers are getting less and less sensitive and adequately formed to perceive  art. But one cannot say that Akunin is descending to his readers narrow horizons. He is  a mediator between highbrow and lowbrow, always beyond, never belonging to any category.

EN

The present article aims at analyzing one of the modern drama's strategies  - playing with a classical text. Boris Akunin's Hamlet. Version, which is at the core of my interests, is comparable to such famed Hamlet’s alterations as Tom Stoppard's Rosenkrantz and Guilderstern Are Dead. The uniqueness of Akunin's work lays in building the individual strategy, while taking into the mass recipient consideration. The forecast is not comforting - consumers are getting less and less sensitive and adequately formed to perceive  art. But one cannot say that Akunin is descending to his readers narrow horizons. He is  a mediator between highbrow and lowbrow, always beyond, never belonging to any category.

Keywords

EN

postmodernism; dramaturgy; Shakespeare; Hamlet; Akunin; intertextuality; post-modernist language play

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Kultury Wschodniosłowiańskie - Oblicza i Dialog
• Year: 2016
• Issue: 6
• Pages: 97-105

Dates

published

2018-09-22

Contributors

author

Kristina Kiseleva

• Uniwersytet Rzeszowski, Rzeszów

References

• Акунин Б., Гамлет. Версия, Москва 2008.
• Версия, [в:] электронный ресурс: https://ru.wikipedia.org/wiki/%D0%92%D0%B5% D1%80%D1%81%D0%B8%D1%8F (15.10.2015).
• Демичева Е. С., Постмодернистские интерпретации гамлетовского сюжета в современ-ной русской литературе, „Известия Волгоградского государственного педагоги ческого университета”, Волгоград 2007, № 2.
• Журчева О. В., Игры с классикой: Рецепция Шекспира в новейшей русской драме, „Вест-ник Челябинского государственного педагогического университета”, Челя-бинск 2015, № 1.

Identifiers

DOI

10.14746/kw.2016.6.8