Postać wszechświatowego człowieka w twórczości reżysera, scenarzysty i muzyka Michaiła Miesteckiego

• Authors: Roman Szubin

Title variants

EN

The image of the one-man in the work of a director, a screenwriter and a musician Mikhail Mestetsky

• Languages of publication: PL

Abstracts

EN

The article is devoted to the study of the concept and image of the one-man (rus. mirovoj chelovek). Mikhail Mestetsky – a screenwriter, a director, a musician, the founder and frontman of the group Shklovsky. His work is permeated with anarchic and revolutionary motifs of destruction and provocation. However, along with the aesthetics of destruction, there is a tendency towards collective behavior, the essentialization of the collective. The group, the detachment, the team, the union, and the sect are the favorite categories of Mestetsky's poetics. The identification of „all as one” in the category of the one-man (Wardan Hayrapetyan), collective body occurs in the film Rag Union (2015). The main plot of Mestetsky is set against this background – the self-education of personality and the character formation.

Keywords

PL

Михаил Местецкий; мировой человек; деструкция; коллективное тело; инициация

EN

Mikhail Mestetsky; one-man (all-man); destruction; collective body; personality formation; initiation; Mikhail Mestetsky; one-man (all-man); destruction; collective body; personality formation; initiation

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Kultury Wschodniosłowiańskie - Oblicza i Dialog
• Year: 2019
• Issue: 9
• Pages: 157-169

Dates

published

2019-12-20

Contributors

author

Roman Szubin

• Uniwersytet im. Adama Mickiewicza w Poznaniu

References

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Identifiers

DOI

10.14746/kw.2019.9.12