PL EN


2018 | 32 |
Article title

„To nie jest poezja w całym słowa tego znaczeniu”. Pieśni żałobne getta Izabeli Gelbard

Authors
Content
Title variants
Languages of publication
PL
Abstracts
EN
The main purpose of this article is to analyse the reception of Izabela Glebard’s (Czajka-Stachowicz’s) works, with particular emphasis on her only book of poety Pieśni żałobne getta . At first Gelbard intentionally chooses poetry, but after the experience of World War II, she leaves it completely and repleces by prose. The root cause of this state of affairs is the war trauma. Very important is also the critical attitude of the writer to her poems. These works have not been appreciated by literary critics who treat them as a document and testimony rather than a valuable poetry. It seems that the Gelbard poems, like all her works, are waiting for a new, contextual reading.
PL
The main purpose of this article is to analyse the reception of Izabela Glebard’s (Czajka-Stachowicz’s) works, with particular emphasis on her only book of poety Pieśni żałobne getta . At first Gelbard intentionally chooses poetry, but after the experience of World War II, she leaves it completely and repleces by prose. The root cause of this state of affairs is the war trauma. Very important is also the critical attitude of the writer to her poems. These works have not been appreciated by literary critics who treat them as a document and testimony rather than a valuable poetry. It seems that the Gelbard poems, like all her works, are waiting for a new, contextual reading.
Year
Issue
32
Physical description
Dates
published
2018
online
2018-10-02
Contributors
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.ojs-doi-10_14746_pspsl_2018_32_6
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