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2020 | 39 | 101-111

Article title

Le influenze italiane in Karol Szymanowski

Authors

Content

Title variants

PL
Italian Influences in Karol Szymanowski’s Work
EN
Italian Influences in Karol Szymanowski’s Work

Languages of publication

IT

Abstracts

EN
Like many other artists, Szymanowski was hugely attracted to Italy. In this article, I will briefly expose, firstly, the “Italian” tracks that can be found in the Polish composer’s music, and, secondly, the declarations on Italy in Szymanowski’s writings, in particular on his art and music, trying to relate these elements between them to see what image of Italian culture emerges. I will show how Szymanowski’s cultural environment remains German-based nevertheless looking for the lost unity between man, art and nature in the heritage of the Italian Renaissance.
PL
Like many other artists, Szymanowski was hugely attracted to Italy. In this article, I will briefly expose, firstly, the “Italian” tracks that can be found in the Polish composer’s music, and, secondly, the declarations on Italy in Szymanowski’s writings, in particular on his art and music, trying to relate these elements between them to see what image of Italian culture emerges. I will show how Szymanowski’s cultural environment remains German-based nevertheless looking for the lost unity between man, art and nature in the heritage of the Italian Renaissance.

Year

Issue

39

Pages

101-111

Physical description

Dates

published
2020-12-15

Contributors

author
  • Facoltà di Scienze Umanistiche, Istituto di Filologia Classica e Studi culturali dell’ Università Cardinale Stefan Wyszyński di Varsavia

References

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  • Carapezza Paolo Emilio (1980), Re Ruggero tra Dioniso e Apollo, “Storia dell’arte”, n. 38/40, pp. 471-479.
  • Carapezza Paolo Emilio (1984), “Hagith” between Tosca and Salomé, in: Karol Szymanowski in seiner Zeit, herausgegeben von Michał
  • Bristiger, Roger Scruton, Petra Weber-Bockholdt, Wilhelm Fink Verlag, Munchen, pp. 127-135.
  • Cheng Ya-Hui (2008), The Harmonic Representation of the Feminine in Puccini, Florida State University.
  • Chodkowski Andrzej (1994), Verdi na scenie warszawskiej, in: Recepcja wzorów włoskich w polskiej kulturze muzycznej: romantyzm, a cura di Piotr Maculewicz, Instytut Muzykologii UW, Warszawa.
  • Chylińska Teresa (2008), Karol Szymanowski i jego epoka, vol. 1, PWM, Kraków.
  • Clément Catherine (1979), L’opéra, ou, la défaite des femmes, Grasset&Fasquelle, Paris [ed. ingl., 1988, Opera, or the Undoing of Women, Minnesota, University of Minnesota Press].
  • Dąbrowski Bartosz (2009), Szymanowski. Muzyka jako autobiografia, słowo/obraz terytoria, Gdańsk.
  • Dotto Aldo (2014), Le “Maschere” di Karol Szymanowski, ETS, Pisa.
  • Downes Stephen (1996), Szymanowski and Narcissism, “Journal of the Royal Musical Association”, n. 1 (121), pp. 58-81.
  • Gavazzeni Gian Andrea (1937), Karol Szymanowski e il “Re Ruggiero”, “Rassegna musicale”, X, n. 12, pp. 409-415.
  • Horowicz Bronisław (1963), Teatr operowy, PIW, Warszawa.
  • Isotta Paolo (2015), Altricanti di Marte, Marsilio, Venezia.
  • Lisecka Małgorzata (2018), Narcyz Szymanowskiego – reinterpretacja mitu w muzycznej narracji, “Litteraria Coperinacana”, n. 4 (28), pp. 79-95.
  • Martinisi Alessandro (2009), Il sogno sognato di Karol Szymanowski. Re Ruggero tra luce e ombra, pref. di Alberto Cesare Ambesi, Quintessenza Editrice, Gallarate.
  • Masi Leonardo, Il “Re Ruggero” di Szymanowski-Iwaszkiewicz: la genesi e le tematiche, “Europa Orientalis”, n. 20/2, pp. 111-147.
  • Rubinstein Arthur (1973), My young years, Alfred A. Knopf, New York.
  • Salvetti Guido (2013), «Ho detto male di... Verdi». Saggio di ricezione negativa, “Rivista Italiana di Musicologia”, n. 48, pp. 105-141.
  • Samson Jim (1980), The Music of Szymanowski, Kahn & Averill, London.
  • Smoter Jerzy Maria (1974), Karol Szymanowski we wspomnieniach, PWM, Kraków.
  • Szymanowski Karol (1982), Korespondencja, vol. 1 (1903-1919), PWM, Kraków.
  • Szymanowski Karol (1984), Pisma, vol. 1: pisma muzyczne, red. Kornel Michałowski, PWM, Kraków.
  • Szymanowski Karol (1989), Pisma, vol. 2: pisma literackie, zebrała i opracowała Teresa Chylińska, PWM, Kraków.
  • Szymanowski Karol (2018), Écrits sur la musique, a cura di Christophe Jerewski e Claude-Henry du Bord, Symétrie, Lyon.
  • Tagg Philip (2013), Music’s Meanings, The Mass Media Music Scholars’ Press, New York&Huddersfield.
  • Van Moere Didier (2008), Karol Szymanowski, Fayard, Paris.
  • Yoshida Shinobu (2012), Modeling Heroines from Giacomo Puccini’s Operas, University of Michigan, Michigan.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_pspsl_2020_39_6
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