Głos jako tworzywo postaci operowej. Historyczny zarys wokalnej typologii głosów

• Authors: Hanna Kicińska

Title variants

EN

Voice as the Material of an Operatic Character. A Historical Overview of Vocal Typology of Voices

Abstracts

PL

This study presents the historical range of topics related to the typology of singing voices and how they are linked to the character constituting the building material of an operatic character. This six-part overview presents the subsequent stages of the formation of the status and role of particular voices in the theory and practice of musical performance, with particular emphasis on specific vocal phenomena key to the development of operatic and solo singing: the so-called covering, haute-contre, bass-baritone and boy soprano. The reason behind the diachronic presentation of the vocal terms is to order and systematise the transformations that vocal practice, musical nomenclature and musical performance have undergone over the centuries.

Keywords

EN

voice; vocal typology; haute-contre; falsetto; soprano; mezzo-soprano; alto; baritone; tenor

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Poznańskie Studia Polonistyczne. Seria Literacka
• Year: 2022
• Issue: 42
• Pages: 57-76

Dates

published

2022

Contributors

author

Hanna Kicińska

• Uniwersytet im. Adama Mickiewicza w Poznaniu, Instytut Muzykologii

• https://orcid.org/0000000315474148

References

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Identifiers

DOI

10.14746/pspsl.2022.42.4

Biblioteka Nauki

2135511