PL
For nearly thirty years now Tadeusz Różewicz has published his poems with their earlier version (e.g. Płaskorzeźba Bas-relief), (1991). It can be described in terms of genetic criticism, talking of a way to the ultimate version, a way to self-cognition. It is also possible - and this is the task of this essay - to see in it a specific text game, aiming at double conveyance. A new whole is being created, which consists as if of the discarded, deleted elements, but here revoked in a new function - manifestation of the text in its many plots. From the clash of rough first drafts, deletions and "ultimate" versions as if a new poem arises, "the third poem", which exists only on the scene of reading.
EN
For nearly thirty years now Tadeusz Różewicz has published his poems with their earlier version (e.g. Płaskorzeźba Bas-relief), (1991). It can be described in terms of genetic criticism, talking of a way to the ultimate version, a way to self-cognition. It is also possible - and this is the task of this essay - to see in it a specific text game, aiming at double conveyance. A new whole is being created, which consists as if of the discarded, deleted elements, but here revoked in a new function - manifestation of the text in its many plots. From the clash of rough first drafts, deletions and "ultimate" versions as if a new poem arises, "the third poem", which exists only on the scene of reading.