Transmediale Überschreitung der Fiktionsgrenzen: Lars Kraumes Medienpuzzle "Keine Lieder über Liebe"

• Authors: Elisa Hollerweger

Title variants

EN

Transmedia bordercrossing – Lars Kraume’s media puzzle “Keine Lieder über Liebe”

• Languages of publication: DE

Abstracts

DE

The essay thematises Lars Kraume`s multimedia experiment “Keine Lieder über Liebe” produced in 2005 starring Heike Makatsch, Jürgen Vogel and Florian Lukas. The story was developed in songs written by the fictive “Hansen Band”, in a film without a script and in a retrospective diary from one of the main characters and revolves around the question “How well do you know the people you are living with?”. The single media representations and their complex interaction can be seen as a challenge for intermedia theory and will be systematically explored in the following sections. After a short overview of the background of emergence, the analysis focuses on narrative structures and coherences of songs, film and book, on the dynamic of characters and plots and on the blurred boundaries between fiction and reality. Thereby it is interesting, in which way the eponymic negation of a medialization of love and the cross-media game of deception complement each other.

EN

The essay thematises Lars Kraume`s multimedia experiment “Keine Lieder über Liebe” produced in 2005 starring Heike Makatsch, Jürgen Vogel and Florian Lukas. The story was developed in songs written by the fictive “Hansen Band”, in a film without a script and in a retrospective diary from one of the main characters and revolves around the question “How well do you know the people you are living with?”. The single media representations and their complex interaction can be seen as a challenge for intermedia theory and will be systematically explored in the following sections. After a short overview of the background of emergence, the analysis focuses on narrative structures and coherences of songs, film and book, on the dynamic of characters and plots and on the blurred boundaries between fiction and reality. Thereby it is interesting, in which way the eponymic negation of a medialization of love and the cross-media game of deception complement each other.

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Studia Germanica Posnaniensia
• Year: 2014
• Issue: 35
• Pages: 31-48

Dates

published

2014-01-01

Contributors

author

Elisa Hollerweger

• Universität Siegen

References

• Eco, Umberto: Nachschrift zum „Namen der Rose“, München 1986.
• Hansen, Band: Keine Lieder über Liebe, Hamburg 2005.
• Hillenkamp, Sven: Das Ende der Liebe, Stuttgart 2009.
• Jenkins, Henry: Convergence Culture. Where Old and New Media Collide, New York 2006.
• Kraume, Lars: Keine Lieder über Liebe, München 2006.
• Makatsch, Heike: Keine Lieder über Liebe, Köln 2005.
• Rajewsky, Irina: Intermedialität, Stuttgart 2002.
• Renner, Karl N./Hoff, Dagmar von, Krings, Matthias: Medien Erzählen Gesellschaft 2013, Berlin 2013.
• Wigger, Jan: Nachwuchs-Sänger Jürgen Vogel: „Es war ein wahnsinniges Risiko“, in: Spiegel-Online, 27.10.2005.

Identifiers

DOI

10.14746/sgp.2014.35.03