Temat polityczny w sztuce krytycznej na przykładzie Fear and Trembling Grzegorza Klamana

• Authors: Magdalena Lorenc

Title variants

EN

Political themes in critical art based on the example of Grzegorz Klaman’s Fear and Trembling

• Languages of publication: PL

Abstracts

EN

The objective of the paper is to emphasize political themes as inspiration for artists and an interpretational key for the works of so-called critical art, based on the example of Fear and Trembling by Grzegorz Klaman from 2007. The analysis concerns the installation and its exhibition context of the third review of modern art, Mediations Biennale, entitled Niepojmowalne/The Unknown, held in Poznań, Poland, from September 14 to October 14, 2012. Fear and Trembling refers to Søren Kierkegaard’s book by the same title from 1843. The issue tackled by the Danish philosopher, and referred to by the Polish artist, concerns the relation between ethics and faith. Klaman’s installation is a form of statement about a reality where one’s religious outlook has a bearing on one’s political decisions and can lead to armed conflict. Examples of religious arguments used in order to justify violence are provided, among others, by the history of the Arab-Israeli conflict over Palestine.

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Środkowoeuropejskie Studia Polityczne
• Year: 2012
• Issue: 4
• Pages: 193-206

Dates

published

2012-12-15

Contributors

author

Magdalena Lorenc

• Uniwersytet im. Adama Mickiewicza w Poznaniu

Identifiers

DOI

10.14746/ssp.2012.4.10