Un “libro terribile”, L’Imperio di De Roberto tra disincanto politico e nichilismo

• Authors: Gianfranco Ferraro

Title variants

EN

A “terrible book”. L’Imperio of De Roberto between political disillusionment and nihilism

• Languages of publication: PL

Abstracts

PL

In the correspondence with his mother, Federico De Roberto defined its own novel L’Imperio as a “a terrible book”. Published in 1929, when the Sicilian writer was not longer alive, this incomplete novel concluded the project of literary triptych including the novels L’Illusione and I Viceré. What could arouse dismay and abhorrence in its readers was the nihilistic outcome of the plot. In order to explain it, the authors of the present paper show how the political disillusionment, embodied in the novel by the figure of the young journalist Federico Ranaldi, discloses for De Roberto the horizon of European nihilism. Being symbolic of the Italian generation born after the Unification, Ranaldi loses his political ideals when he understands that the politicians have no faith and are no longer right. Disgusted by the conduct of Consalvo Uzeda di Francalanza, the last heir of the ancient “viceroys” of Sicily, now the minister of the Kingdom, Ranaldi is overwhelmed by a radical, pessimistic vision of the world. Thus it is evident that De Roberto was extremely influenced by such philosophers as Giacomo Leopardi, Arthur Schopenhauer and Eduard von Hartmann.

EN

book”. Published in 1929, when the Sicilian writer was not longer alive, this incomplete novel concluded the project of literary triptych including the novels L’Illusione and I Viceré. What could arouse dismay and abhorrence in its readers was the nihilistic outcome of the plot. In order to explain it, the authors of the present paper show how the political disillusionment, embodied in the novel by the figure of the young journalist Federico Ranaldi, discloses for De Roberto the horizon of European nihilism. Being symbolic of the Italian generation born after the Unification, Ranaldi loses his political ideals when he understands that the politicians have no faith and are no longer right. Disgusted by the conduct of Consalvo Uzeda di Francalanza, the last heir of the ancient “viceroys” of Sicily, now the minister of the Kingdom, Ranaldi is overwhelmed by a radical, pessimistic vision of the world. Thus it is evident that De Roberto was extremely influenced by such philosophers as Giacomo Leopardi, Arthur Schopenhauer and Eduard von Hartmann.

Keywords

PL

De Roberto; nihilism; disenchantment; pessimism; political novel

EN

De Roberto; nihilism; disenchantment; pessimism; political novel; De Roberto; nihilism; disenchantment; pessimism; political novel

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Studia Romanica Posnaniensia
• Year: 2014
• Volume: 41
• Issue: 4
• Pages: 61-75

Dates

published

2014-01-01

Contributors

author

Gianfranco Ferraro

• La Nuova Università di Lisbona, Portogallo

References

• DE ROBERTO, Federico (1898): L’amore. Milano: Galli.
• DE ROBERTO, Federico (1998): Romanzi, novelle e saggi, a cura di C.A. Madrignani. Milano: Mondadori.
• DE ROBERTO, Federico (2012): Il tempo dello scontento universale. Articoli dispersi di critica culturale e letteraria, a cura di Annamaria Loria. Torino: Aragno.
• HARTMANN, Eduard von (1877): La Philosophie de l’Inconscient, tr. par D. Nolen. Paris: Baillière.
• MADRIGNANI, Carlo Alberto (2007): Effetto Sicilia. Genesi del romanzo moderno. Macerata: Quodlibet.
• ORLANDO, Francesco (1993): Gli oggetti desueti nelle immagini della letteratura. Rovine, reliquie, rarità, robaccia, luoghi inabitati e tesori nascosti. Torino: Einaudi.
• SCHOPENHAUER, Arthur (2002): Il mondo come volontà e rappresentazione, a cura di Sossio Giametta. Milano: Mondadori.

Identifiers

DOI

10.14746/strop 2014.414.006