PL EN


2017 | 44 | 1 |
Article title

Memoria de la Transición: entre la no-ficción y el falso documental

Content
Title variants
Languages of publication
ES
Abstracts
EN
The article confronts two ways of organizing the memory of Spanish Transition: one represented by Javier Cercas (Anatomía de un instante, El impostor), who turns to a novel without fiction, and the other proposed by Jordi Évole in Operación Palace, which is a fake documentary. The analysis allows to detect the great thematic axes of the memory of Transition, especially that of consensus, and go deeper into its potential subversive load.
ES
The article confronts two ways of organizing the memory of Spanish Transition: one represented by Javier Cercas (Anatomía de un instante, El impostor), who turns to a novel without fiction, and the other proposed by Jordi Évole in Operación Palace, which is a fake documentary. The analysis allows to detect the great thematic axes of the memory of Transition, especially that of consensus, and go deeper into its potential subversive load.
Year
Volume
44
Issue
1
Physical description
Dates
published
2017
online
2017-03-15
Contributors
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.ojs-doi-10_14746_strop_2017_441_004
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