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2020 | 47 | 1 | 55-66

Article title

Funciones narrativas e ideológicas de los personajes de inmigrantes y de sus descendientes en la narrativa española

Content

Title variants

EN
Narrative and ideological functions of immigrant and descendants of immigrant characters in Spanish narrative

Languages of publication

ES

Abstracts

PL
The present paper is aimed to analyze how certain concepts of political identity are translated into poeticsof identity in contemporary Spanish narrative. The analysis covers four novels published since 1998,written by Spanish authors and which achieved high rates of sales and positive critical recognition. Thestudy was not limited to specific immigrant groups in order to reflect a variety of experiences and politicalpositions represented in the texts. The paper is a study of the image and functions of immigrantcharacters in selected Spanish novels of the last three decades: Háblame, musa, de aquel varón (1998) by Dulce Chacón, Ventajas de viajar en tren (2000) by Antonio Orejudo, Cosmofobia (2007) by Lucía Etxebarria and En la orilla (2013) by Rafael Chirbes. Sociologists and psychologists indicate three main classes of negative attitudes towards immigrants (citizen insecurity, threat to cultural identity and competitiveness in obtaining resources). Within this context the article aims to determine to what extent the literary representations of immigrant characters constitute reproductions or transgressions of culturally prefabricated images of the Other and explores the different narrative and ideological functions these characters play. The paper also studies the presence of discourses that support social exclusion of immigrants and the means of subverting them.
EN
The present paper is aimed to analyze how certain concepts of political identity are translated into poeticsof identity in contemporary Spanish narrative. The analysis covers four novels published since 1998,written by Spanish authors and which achieved high rates of sales and positive critical recognition. Thestudy was not limited to specific immigrant groups in order to reflect a variety of experiences and politicalpositions represented in the texts. The paper is a study of the image and functions of immigrantcharacters in selected Spanish novels of the last three decades: Háblame, musa, de aquel varón (1998) by Dulce Chacón, Ventajas de viajar en tren (2000) by Antonio Orejudo, Cosmofobia (2007) by Lucía Etxebarria and En la orilla (2013) by Rafael Chirbes. Sociologists and psychologists indicate three main classes of negative attitudes towards immigrants (citizen insecurity, threat to cultural identity and competitiveness in obtaining resources). Within this context the article aims to determine to what extent the literary representations of immigrant characters constitute reproductions or transgressions of culturally prefabricated images of the Other and explores the different narrative and ideological functions these characters play. The paper also studies the presence of discourses that support social exclusion of immigrants and the means of subverting them.

Year

Volume

47

Issue

1

Pages

55-66

Physical description

Dates

published
2020-03-15

Contributors

  • Uniwersytet Warszawski

References

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  • Álvarez Blanco, P. (2011). De etnomanías y otros terrores: literatura e inmigración en la España del siglo XXI. En P. Álvarez-Blanco, y T. Dorca (eds.), Contornos de la narrativa española actual (2000-2009). Un diálogo entre creadores y críticos (55-65). Madrid–Frankfurt: Iberoamericana.
  • Bauman, Z. (2005). Vidas desperdiciadas. La modernidad y sus parias. Barcelona: Paidós.
  • Chacón, D. (2005). Háblame, musa, de aquel varón. Barcelona: Planeta.
  • Chirbes, R. (2013). En la orilla. Barcelona: Anagrama.
  • Clifford, E., y Kalyanpur, M. (2011). Immigrant Narratives: Power, Difference, and Representationin Young-Adult Novels with Immigrant Protagonists. International Journal of MulticulturalEducation, 13 (1), 1-20.
  • Cruz, J. (2009). Entre la denuncia y el exotismo: la inmigración marroquí en Háblame, musa, de aquel varón. En A. Encinar, y C. Valcárcel (eds.), Escritoras y compromiso: literaturaespañola e hispanoamericana de los siglos XX y XXI (397-414). Madrid: Visor Libros.
  • Ducrot, O., y Todorov, T. (1974). Diccionario enciclopédico de las ciencias del lenguaje. Buenos Aires: Siglo Veintiuno Editores.
  • Etxebarria, L. (2007). Cosmofobia. Barcelona: Destino.
  • Galán, E. (2006). La representación de los inmigrantes en la ficción televisiva en España. Propuesta para un análisis de contenido. El Comisario y Hospital Central. Revista Latina de Comunicación Social, 61. Recuperado de http://www.ull.es/publicaciones/latina/200608galan.htm.
  • Leone, M.L. (2013). Narrating Immigration, Gendered Spaces, and Transnational Feminism in Lucía Etxebarria’s Cosmofobia (2007). Letras Hispanas, 9.1, 47-63.
  • Morales, J.F., y Moya, M.C. (1996). Tratado de Psicología Social. Procesos básicos (vol. 1). Madrid: Síntesis Psicología.
  • Moya, M., y Puertas, S. (2008). Estereotipos, inmigración y trabajo. Papeles del Psicólogo, 29 (1), 6-15.
  • Nash, M. (2005). Inmigrantes en nuestro espejo: Inmigración y discurso periodístico en la prensa española. Barcelona: Icaria.
  • Navarro, E. (2009). La ciudad feliz. Barcelona: Random House.
  • Odartey-Wellington, D. (2012). El imaginario de la inmigración en la narrativa española contemporánea. En L. Silvestri, L. Frattale, y M. Lafèvre (eds.), Rumbos del hispanismo en el umbral del Cincuentenario de la AIH (461-468). Roma: Bogatto Libri.
  • Orejudo, A. (2015). Ventajas de viajar en tren. Barcelona: Tusquets.
  • Parameswaran, G. (2007). Enhancing Diversity Education. Multicultural Education, 14 (3), 51-55.
  • Propp, V. (1971). Morfología del cuento. Madrid: Fundamentos.
  • Renfrow, D.G. (2004). A Cartography of Passing in Everyday Life. Symbolic Interaction, 27 (4), 485-506.
  • Said, E.W. (2008). Orientalismo. Barcelona: Debolsillo.
  • Sławiński, J. (2002). Motywacja. En J. Sławiński et al. (eds.), Słownik terminów literackich. Wrocław: Ossolineum.
  • Talpade Mohanty, C. (2003). Feminism Without Borders: Decolonizing Theory, Practicing Solidarity. Londres: Duke University Press.
  • Zavko, M. (2009). La imagen del inmigrante en la novela española actual. Saggi /Ensayos/Essais/Essays, 2, 163-172.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_strop_2020_471_005
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