Kenneth Branagh’s Multicultural and Multi-ethnic Filmed Shakespeare(s)

• Authors: Jacek Fabiszak
• Languages of publication: EN
• Publisher: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
• Journal: Multicultural Shakespeare: Translation, Appropriation and Performance
• Year: 2015
• Volume: 12
• Issue: 27
• Pages: 75-86

Dates

published

2015-06-26

Contributors

author

Jacek Fabiszak

• Faculty of English, Adam Mickiewicz University in Poznań, Poland

References

• As You Like It. Dir. Kenneth Branagh. BBC Films, 2006.
• Branagh, Kenneth. Much Ado About Nothing by William Shakespeare. Screenplay, Introduction, and Notes on the Making of the Movie. New York–London: W.W. Norton & Company, 1993.
• Branagh, Kenneth. Hamlet by William Shakespeare. Screenplay and Introduction. London: Chatto & Windus, 1996.
• Crowl, Samuel. “Flamboyant Realist: Kenneth Branagh”. The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge University Press, 2000. 222-238.
• Crowl, Samuel. Shakespeare and Film. A Norton Guide. New York–London: W.W. Norton & Company, 2008.
• Hamlet. Dir. Laurence Olivier. Two Cities Films, 1948.
• Hamlet. Dir. Kenneth Branagh. Castle Rock Entertainment, 1996.
• Hatchuel, Sarah. Shakespeare, from Stage to Screen. Cambridge: Cambridge University Press, 2004.
• Henry V. Dir. Laurence Olivier. Two Cities Films, 1944.
• Henry V. Dir. Kenneth Branagh. Renaissance Films, 1989.
• Kujawińska Courtney, Krystyna. “Ira Aldridge, Shakespeare, and Color-Conscious Performances in Nineteenth-Century Europe.” Colorblind Shakespeare: New Perspectives on Race and Performance. Ed. Ayanna Thompson. London and New York: Routledge, 2006. 103-122.
• In the Bleak Midwinter. Dir. Kenneth Branagh. Castle Rock Entertainment, 1995.
• Lehmann, Courtney. “Faux Show: Falling into History in Love’s Labour’s Lost.” Ed. Ayanna Thompson. Colorblind Shakespeare: New Perspectives on Race and Performance. London and New York: Routledge, 2006. 69-80.
• Loomba, Ania. Shakespeare, Race, and Colonialism. Oxford: Oxford University Press, 2002.
• Love's Labour’s Lost. Dir. Kenneth Branagh. Pathé /Arts Council, 2000.
• The Magnificent Seven. Dir. John Sturges. Mirisch Company, 1960.
• Much Ado About Nothing. Dir. Kenneth Branagh. Renaissance Films, 1993.
• Othello. Dir. Stuart Burge. BHE Films, 1965.
• Pittman, L. Monique. Authorizing Shakespeare on Film and Television, New York: Peter Lang Publishing, 2011.
• Richard III. Dir. Laurence Olivier. London Film Productions, 1955.
• Thompson, Ayanna. Passing Strange. Shakespeare, Race, and Contemporary America. Oxford–New York: Oxford University Press, 2011.

Identifiers

DOI

10.1515/mstap-2015-0007