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2017 | 15 | 30 | 59-75

Article title

“This England”: Re-Visiting Shakespearean Landscapes and Mediascapes in John Akomfrah’s The Nine Muses (2010)

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
The paper will offer a reading of John Akomfrah’s The Nine Muses (2010), a 90-minute experimental feature film that has been defined as “one of the most vital and original artistic responses to the subject of immigration that British cinema has ever produced” (Mitchell). It will focus on the multifarious ways in which the film makes the “canonical” literary material that it incorporates, including Shakespeare, interact with rarely seen archival material from the BBC regarding the experience of Caribbean and South Asian immigrants in 1950s and 1960s Britain. It will argue that through this interaction the familiarity of Western “canonical” literature re-presents itself as an uncanny landscape haunted by other stories, as a language that is already in itself the “language of the other” (Derrida). In particular, it will claim that Shakespearean fragments are often used in an idiosyncratic way, and they repeatedly resonate with some of the most fundamental ethical and political issues of the film, such as the question of England as “home” and migration. The paper will also argue that the decontextualization and recontextualization of these fragments makes them re-emerge as part of an interrogation of the mediality of the medium, an interrogation that also offers insights into the circulation of Shakespeare in the contemporary mediascape.

Year

Volume

15

Issue

30

Pages

59-75

Physical description

Dates

published
2017-06-30

Contributors

  • University of Salerno

References

  • Akomfrah, John. “Chiasmus.” DVD extra. The Nine Muses. Dir. John Akomfrah. Film. UK Film Council and Smoking Dogs Films, 2010.
  • Basho, Matsuo. Narrow Road to the Interior: And Other Writings. Trans. Sam Hamill. Boston: Shambhala, 1998.
  • Beckett, Samuel. Three Novels. Molloy, Malone Dies, The Unnamable. Trans. Patrick Bowles. Ed. Laura Lindgren. New York: Grove Press, 1959.
  • Benjamin, Walter. “Theses on the Philosophy of History.” Illuminations. Trans. Harry Zohn. London: Fontana, 1973. 245-55.
  • Budzinski, Nathan. “John Akomfrah: The Nine Muses.” The Wire. February 2012. 18 October 2016. < http://www.thewire.co.uk/about/artists/john-akomfrah/johnakomfrah_the-nine-muses>.
  • Burt, Richard and Julian Yates. What’s the Worst Thing You Can Do to Shakespeare? New York: Palgrave Macmillan, 2013.
  • Calbi, Maurizio. Spectral Shakespeares. Media Adaptations in the Twenty-First Century. New York: Palgrave Macmillan, 2013.
  • Chambers, Iain. Mediterranean Crossings. The Politics of an Interrupted Modernity. Durham and London: Duke University Press, 2008.
  • Clarke, Bruce. “Information.” Critical Terms for Media Studies. Eds. W.J.T Mitchell and Mark B.N. Hansen, Chicago and London: Chicago University Press, 2010: 157-71.
  • Corless, Kieron. “John Akomfrah. The Nine Muses.” Sight & Sound February 2012: 45-46.
  • Derrida, Jacques. Aporias. Trans. Thomas Dutoit. Stanford, CA: Stanford University Press, 1993.
  • Derrida, Jacques. Archive Fever. A Freudian Impression. Trans. Eric Prenowitz. Chicago and London: University of Chicago Press, 1995.
  • Derrida, Jacques. Monolingualism of the Other; Or, The Prosthesis of Origin. Trans. Patrick Mensah. Stanford, CA: Stanford University Press, 1998.
  • Derrida, Jacques. Of Grammatology. Trans. Gayatri Chakravorty Spivak. Baltimore and London: The Johns Hopkins University Press, 1976.
  • Eshun, Kodwo, and Anjalika Sugar, eds. The Ghosts of Songs: The Film Art of the Black Audio Film Collective. Liverpool: Liverpool University Press / Foundation for Art and Creative Technology, 2007.
  • Fisher, Mark. Rev. of The Nine Muses. Sight & Sound 22.2 February 2012: 75.
  • Huang, Alexa. “Global Shakespeares as Methodology.” Shakespeare 9.3 (2013): 273-290.
  • Lanier, Douglas. “Shakespearean Rhizomatics: Adaptation, Ethics, Value.” Shakespeare and the Ethics of Appropriation. Ed. Alexa Huang and Elizabeth Rivlin. New York: Palgrave, 2014. 21-40.
  • Milton, John. Paradise Lost. Book I. 1658-1663. Complete Poems. Vol. IV. The Harvard Classics. New York: P.F. Collier & Son, 1909–14. Bartleby.com. 2001. 18 October 2016. < http://www.bartleby.com/4/401.html>.
  • Mitchell, Neil, ed. Directory of World Cinema Vol. 32: Britain 2. Bristol: Intellect Books, 2015.
  • Phillips, Caryl. A New World Order. Selected Essays. London: Vintage, 2002.
  • Power, Nina. “Counter-Media, Migration, Poetry: Interview with John Akomfrah.” Film Quarterly 65. 2 (2011): 59-63.
  • Romney, Jonathan. Rev. of The Nine Muses. The Independent 22 Jan. 2012. 18 October 2016. <http://www.independent.co.uk/arts-entertainment/films/reviews/the-ninemuses-john-akomfrah-92-mins-pg-6292730.html>.
  • Shakespeare, William. William Shakespeare: The Complete Works. Ed. Stanley Wells and Gary Taylor. 2nd ed. Oxford: Clarendon Press, 2005.
  • The Mountains, The Ocean and The Metropolis. Notes on John Akomfrah’s The Nine Muses. Halifax, Nova Scotia: Centre for European Studies and Halifax Independent Filmakers Festival, 2013.
  • The Nine Muses. Dir. John Akomfrah. Film. UK Film Council and Smoking Dogs Films, 2010.
  • Trilling, Daniel. “Sound On Film: Interview: John Akomfrah.” Sound and Music. 18 October 2016. < http://www.soundandmusic.org/features/sound-film/interviewjohn-akomfrah>.
  • VanderBurgh, Jennifer. “Archive and Canon as Akomfrah’s Muses.” The Mountains, The Ocean and The Metropolis. 11-19.
  • Varga, Darrell. “Ghosts of the Material World.” The Mountains, The Ocean and The Metropolis. 21-27.
  • Vint, Sherryl. “Skin Deep: Alienation in Under the Skin.” Extrapolations 56.1 (2015): 1-14.
  • White, Jerry. “Massifs, Oceans, and Cities.” The Mountains, The Ocean and The Metropolis. 29-35.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_1515_mstap-2017-0005
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