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2018 | 8 | 25-42

Article title

“No Country for Old Men”? The Question of George Moore’s Place in the Early Twentieth-Century Literature of Ireland

Content

Title variants

Languages of publication

EN

Abstracts

EN
The paper scrutinizes the literary output of George Moore with reference to the expectations of the new generation of Irish writers emerging at the beginning of the twentieth century. Although George Moore is considered to belong to the Anglo-Irish ascendancy writers, he began his writing career from dissociating himself from the literary achievements of his own social class. His infatuation with the ideals of the Gaelic League not only brought him back to Dublin, but also encouraged him to write short stories analogous to famous Ivan Turgenev’s The Sportsman’s Sketches. The idea of using a Russian writer as a role model went along with the Gaelic League advocating the reading of non-English European literature in search for inspiration. However the poet’s involvement in the public cause did not last long. His critical view on Ireland together with his uncompromising approach towards literature resulted in a final disillusionment with the movement. The paper focuses on this particular period of Moore’s life in order to show how this seemingly unfruitful cooperation became essential for the development of Irish literature in the twentieth century. The Untilled Field, though not translated into Irish, still marks the beginning of a new genre into Irish literature-a short story. More importantly, the collection served as a source of inspiration for Joyce’s Dubliners. These and other aspects of Moore’s literary life are supposed to draw attention to the complexity of the writer’s literary output and his underplayed role in the construction of the literary Irish identity.

Year

Issue

8

Pages

25-42

Physical description

Dates

published
2018-11-23

Contributors

  • Adam Mickiewicz University, Poznań

References

  • Brown, Terence. Introduction. The Untilled Field. By George Moore. Dublin: Gill, 1990. xi–xvi. Print.
  • Cantwell, Eamonn R. “Crossing Borders: Moore and Yeats in the Theatre.” George Moore: Across Borders. Ed. Christine Huguet and Fabienne Dabrigeon-Garcier. Amsterdam: Rodopi, 2013. 99–112. Print.
  • Cave, Richard. A Study of the Novels of George Moore. Buckinghamshire: Colin Smythe, 1978. Print.
  • Cronin, John. “George Moore: The Untilled Field.” The Irish Short Story. Ed. Patrick Rafroidi and Terence Brown. Buckinghamshire: Colin Smythe, 1979. 113–26. Print.
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  • Deane, Seamus. Strange Country. Oxford: Oxford UP, 1997. Print.
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  • Foster, R. F. Vivid Faces. The Revolutionary Generation in Ireland 1890–1923. London: Penguin, 2015. Print.
  • Frazier, Adrian. George Moore. 1852–1933. New Haven: Yale UP, 2000. Print.
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  • Gerber, Helmut E., ed. George Moore in Transition. Detroit: Wayne State UP, 1968. Print.
  • Gregory, Augusta. Seventy Years 1852–1922. Being the Autobiography of Lady Gregory. Gerrards Cross: Colin Smythe, 1974. Print.
  • Joyce, James. Dubliners. Oxford: Oxford World Classics, 2008. Print.
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  • Kiberd, Declan. “George Moore’s Gaelic Lawn Party.” The Way Back. George Moore’s “The Untilled Field” and “The Lake.” Ed. Robert Welch. Dublin: Wolfhound, 1982. 13–27. Print.
  • Kiberd, Declan. Inventing Ireland. The Literature of the Modern Nation. London: Vintage, 1995. Print.
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  • Moore, George. Drama in Muslin. London: Colin Smythe, 1981. Print.
  • Moore, George. Esther Waters. Oxford: Oxford World Classics, 2008. Print.
  • Moore, George. Hail and Farewell. Gerrards Cross: Colin Smythe, 1976. Print.
  • Moore, George. The Untilled Field. Dublin: Gill, 1990. Print.
  • Norris, David. “Imaginative Response versus Authority Structures. A Theme of the Anglo-Irish Short Story.” The Irish Short Story. Ed. Patrick Rafroidi and Terence Brown. Buckinghamshire: Colin Smythe, 1979. 39–62. Print.
  • Pierse, Mary S. “George Moore and his Dublin Contemporaries: Reputations and Reality.” George Moore: Dublin, Paris, Hollywood. Ed. Adrian Frazier and Conor Montague. Dublin: Irish Academic P, 2012. 81–93. Print.
  • Smith, Stan. Irish Poetry and the Construction of Modern Identity. Dublin: Irish Academic P, 2005. Print.
  • Welch, Robert. Preface. The Way Back. George Moore’s “The Untilled Field” and “The Lake.” Ed. Robert Welch. Dublin: Wolfhound, 1982. 7–12. Print.
  • Welch, Robert. Changing States. Transformations in Modern Irish Writing. London: Routledge, 1993. Print.
  • Yeats, William Butler. Autobiographies. London: Macmillan, 1961. Print.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_1515_texmat-2018-0002
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