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2018 | 8 | 68-83

Article title

Michael Longley and Birds

Content

Title variants

Languages of publication

EN

Abstracts

EN
The following essay attempts to shed some light on Michael Longley’s poems about birds, which form a fairly complicated network of mutual enhancements and cross-references. Some of them are purely descriptive lyrics. Such poems are likely to have the name of a given species or a specific individual representative of that species in the title. Others make references to birds or use them for their own agenda, which often transcends the parameters of pure description. Sometimes birds perform an evocative function (“Snow Geese”), prompt the poet to explore the murky mysteries of iniquity (“The Goose”), judge human affairs from the avian vantage (“Aftermath”), or raise ecological problems (“Kestrel”). Most of the time, however, Longley is careful not to intrude upon their baffling otherness. Many of his bird poems are suffused with an aura of subtle yet suggestive eroticism, a conflation of the avian and the amorous.

Keywords

EN
Longley   Ireland   poetry   birds  

Year

Issue

8

Pages

68-83

Physical description

Dates

published
2018-11-23

Contributors

  • Pedagogical University of Kraków

References

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  • Heaney, Seamus. “Place and Displacement: Reflections on Some Recent Poetry from Northern Ireland.” Contemporary Irish Poetry: A Collection of Critical Essays. Ed. Elmer Andrews. London: Macmillan, 1992. 124–44. Print.
  • Hopkins, Gerard M. The Poems of Gerard Manley Hopkins. Ed. W. H. Gardner and N. H. MacKenzie. Oxford: Oxford UP, 1970. Print.
  • Kennedy-Andrews, Elmer. “Conflict, Violence and ‘The Fundamental Interrelatedness of All Things.’” The Poetry of Michael Longley. Ed. Alan Peacock and Kathleen Devine. Gerrards Cross: Colin Smythe, 2000. 73–99. Print.
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  • Longley, Michael. Collected Poems. London: Jonathan Cape, 2007. Print.
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  • Longley, Michael. Interview by Margaret Mills Harper. Five Points. A Journal of Literature and Art. Web. 12 June 2017.
  • Longley, Michael. Secret Marriages. Manchester: Phoenix Pamphlet Poets, 1968. Print.
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  • McConnell, Gail. Northern Irish Poetry and Theology. London: Palgrave Macmillan, 2014. Print.
  • McGuckian, Medbh. “Michael Longley as a Metaphysical.” Colby Quarterly 39.3 (September 2003): 215–20. Print.
  • Potts, Donna. “‘Love Poems, Elegies: I am losing my place’: Michael Longley’s Environmental Elegies.” Out of the Earth: Ecocritical Readings of Irish Texts. Ed. Christine Cusick. Cork: Cork UP, 2010. 127–50. Print.
  • Redmond, John. “Fighting for Balance: The Influence of Ted Hughes on Michael Longley.” Colby Quarterly 39.3 (September 2003): 258–69. Print.
  • Sloan, Barry. “Michael Longley’s Father: Memory, Mourning and History.” Estudios Irlandeses 7 (2012): 99–108. Print.
  • Thomas, Ronald Stuart. Collected Poems: 1945–1990. London: Phoenix, 2000. Print.
  • Weil, Simone. Gravity and Grace. London: Routledge, 2002. Print.
  • Welch, Robert. “Michael Longley and the West.” The Poetry of Michael Longley. Ed. Alan Peacock and Kathleen Devine. Gerrards Cross: Colin Smythe, 2000. 51–65. Print.
  • “Windfucker.” Etyman.wordpress.com. The Etyman Language Blog. Web. 7 June 2017.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_1515_texmat-2018-0005
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