Metateatralność w dramacie Jewgienija Wodołazkina Parodysta

• Authors: Weronika Biegluk-Leś

Title variants

EN

Metatheatricality in Eugene Vodolazkin’s drama The Parodist

Abstracts

EN

As the author of the article claims, the metatheatricality in Eugene Vodolazkin’s drama The Parodist is constituted by the multiplication of levels of presented reality and its specific modelling, exposing the “derivativness” and “fictionality”.The multi-layered reality is generated by various, usually perfidious, realizations of the concept of “theatre in theatre” (e.g. thanks to outright and allusive intertextuality, implicitly inscribed in the text of the drama); appearance of specific structural and compositional elements and the simultaneity resembling a film technique of parallel editing; breaking down the stage illusion and maximising the theatrum mundi concept; a play generated within a dramatic plot by the heroes themselves; and metaparody of artistic issues in the dramatic dialogue.

Keywords

EN

contemporary Russian drama; metatheatricality; intertextuality; parody

PL

współczesny dramat rosyjski; metateatralność; parodia; intertekstualność

• Publisher: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
• Journal: Studia Wschodniosłowiańskie
• Year: 2021
• Volume: 21
• Pages: 5-22

Dates

published

2021

Contributors

author

Weronika Biegluk-Leś

• Uniwersytet w Białymstoku, Wydział Filologiczny, Kolegium Literaturoznawstwa

Identifiers

DOI

10.15290/sw.2021.21.01

Biblioteka Nauki

29519397