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2018 | 9 | 1 | 181-189

Article title

Atmosphere of societal anxiety and representations of the body: The image of man in surrealist works of Vítězslav Nezval in the 20th century interwar period in Bohemia

Content

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Languages of publication

EN

Abstracts

EN
Aim: The interwar period in Czechoslovakia was a time of societal anxiety. The aim of this paper is to find the central themes of societal fear, as reflected in the surrealist works of Vítězslav Nezval, a czech poet. The analysis will be based primarily on the lyric poetry from the collections: Žena v množném čísle [Woman in Plural] (1936) and Absolutní hrobař [Absolute Gravedigger] (1937). Methods: The analysis is based on the Josef Vojdovík’s anthropo-phenomenological method of exploring the surrealist perceptions of the body, which is based on vertical and horizontal anthropological dimensions and phenomenological conceptions of fears. Results: Surrealist poetry and other literary works contain images of the body that are changed by fear: deformations, metamorphoses, fragmentarisations, hybridisations, expressing the body as a collage, a mosaic, an amalgam, a phantom, a grotesque, an inlay, and as lifelessness. It undergoes multiple metamorphoses, not only within its own form, but also with regard to the categories of life and lifelessness. Conclusions: The analysis leads to the conclusion, that V. Nezval’s works show a clear tendency to portray the body as an object which undergoes a metamorphosis. The body is balanced on the edge between living and dead, organic and inorganic, it is determined by time and space. It is often shown along the narrowing-widening relation, in stupor, petrification, reduced to a flat surface or miniaturised.

Year

Volume

9

Issue

1

Pages

181-189

Physical description

Dates

published
2018-06-27

Contributors

  • Institute of Slavic Studies, University of Wrocław, ul. Pocztowa 9, 53-313 Wrocław, Poland

References

  • . Heczková, L., & Plívová, A. (2011). Tělo, tělesnost, antropologické konstanty [Body, the Carnality and the Anthropological Constants]. In: Vojvodík, J., & Wiendl, J. (Ed.), Heslář české avantgardy. Estetické koncepty a proměny uměleckých postupů v letech 1908-1958 [The Vocabulary of the Czech Avantgarde. Aesthetic Concepts and Changes in the Art in 1908-1958] (pp.367-378). Praha: Filozofická fakulta UK v Praze, Togga.
  • . Jelínek, A. (1995).Vítězslav Nezval [Vítězslav Nezval]. In: Blažíček P., Brabec J., Buriánek F., Červenka M., Grygar M., Jelínek A., at al . Dějiny české literatury [History of the Czech Literature] (pp.507-528). Praha: Victoria publishing, a. s.
  • . Mukařovský, J. (1966). Studie z estetiky [Aesthetic Studies]. Praha: Odeon.
  • . Nezval, V. (2012). Absolutní hrobař [The Absolute Gravedigger]. In: M. Blahynka (ed.), Básně II [Poems II], (pp.277-342) Brno: Host.
  • . Nezval, V. (2012). Žena v množném čísle [Women in the Plural]. In: M. Blahynka (ed.), Básně II [Poems II] (pp. 9-46) Brno: Host.
  • . Stefański, M. (2008). Karel Teige i pułapka konstruktywizmu [Karel Teige and the Trap of the Constructivism], Bohemistyka, 1–4, .94-104.
  • . Vojvodík, J. (2007). Świat strachu i strach przed światem w czeskim surrealizmie lat 30. i 40 [The world of fear and the fear of world in Czech Surrealism of 1930’s and I940’s], Teksty Drugie, 6, 50-77.
  • . Vojvodík, J. (2006). Imagines corporis. Tělo v české moderní a avantgardě [Imagines corporis. Body in czech modern avantgarde]. Brno: Host.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_15503_jecs20181_181_189
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