Pieter Bruegel the Elder’s The Tower of Babel (1563). From Art to Architecture

• Authors: Ruth Dorot , Edna Langenthal

Abstracts

EN

Aim. This paper examines the meaning of The Tower of Babel (1563), Pieter Bruegel’s painting, as a physical, cultural, social, and architectural herald of the modern skyscraper. The interpretation generated will form the background for a contemporary analogy to the modern skyscrapers. These large-scale aesthetic structures, form the sensation of an unnerving lack of space and does not correspond with the existing urban outline. Similar to the tower at the painting, that is a symbol of the lack of connection between nations and peoples, the skyscraper follows in the footsteps of its predecessor that symbolized the confounding of the languages. Methods. Four theoretical approaches will be utilized: (a) Examining the place of the painting within common approaches to the biblical text, based on familiar examples; (b) Converting the biblical story into a painting; (c) Analyzing and evaluating the painting from an aesthetic perspective; (d) In order to overcome the alienation and lack of community we shall utilize the phenomenological notion of place and space, which opens a path to architectural experiencing that promises to connect the individual to the environment, the world, and the community. Results. Pieter Bruegel the Elder’s approach to the biblical story and its artistic portrayal teaches us that The Contemporary Torah (2006, Genesis 11:1-9) is a timeless and universal story that illustrates human pretense, a lack of adequate self-evaluation, arrogance, and stupidity. Conclusion. The artist understood all this very well and possessed the originality and the daring to represent it even in contradiction of contemporary conventions.

Keywords

EN

Tower of Babel; Pieter Bruegel the Elder; the art of time; the art of place; the Bible; Flanders; northern renaissance

• Publisher: Fundacja Pro Scientia Publica
• Journal: Journal of Education Culture and Society
• Year: 2023
• Volume: 14
• Issue: 2
• Pages: 380-400

Dates

published

2023

Contributors

author

Ruth Dorot

• School of Architecture, Ariel University, 65 Ramat Hagolan, Ariel 40700, Israel

• https://orcid.org/0000000218841743

author

Edna Langenthal

• School of Architecture, Ariel University, 65 Ramat Hagolan, Ariel 40700, Israel

• https://orcid.org/0000000176101121

References

• Barasch, M. (1986). Mavo l'omanut harenaissance [Introduction to the Art of the Renaissance] Mossad Bialik.
• Barzel, H. (1990). Drachim baparshanut hachadasha [New Interpretations of Literary Texts] Bar-Ilan University Publication.
• Bruegel, P. (1560). Children’s games [oil on wood]. Wikimedia. https://commons.wikimedia.org/wiki/File:Les_jeux_d%27enfants_Pieter_Bruegel_l%27Ancien.jpg
• Bruegel, P. (1563). The Tower of Babel [oil on wood]. Wikimedia. https://commons.wikimedia.org/wiki/File:Kunsthistorisches_Museum_Wien,_Pieter_Bruegel_d.%C3%84.,_der_Turmbau_zu_Babel.JPG
• Bruegel, P. (1568). The blind leading the blind [oil on wood]. Wikimedia. https://commons.wikimedia.org/wiki/File:The_blind_leading_the_blind._Oil_painting_after_Pieter_Bruegel_Wellcome_V0017252.jpg
• Bruegel, P. (1599). Netherlandish Proverbs [oil on wood]. Wikimedia. https://commons.wikimedia.org/wiki/File:Pieter_Bruegel_the_Elder,_Netherlandish_Proverbs,_1559,_Gemaldegalerie,_Berlin_%282%29_%2840204298851%29.jpg
• Caroll, D. M. (2008). Painting and Politics in Northern Europe: Van Eyck, Bruegel, Rubens, and their Contemporaries. Penn State University Press.
• Dorot, R. (2013). Galut ve'hitgalut [Exile and Revelation] Even Hoshen.
• Heidegger, M. (1971). “The Origin of the Work of Art,” in Martin Heidegger, Poetry, Language, Thought, ( A. Hofstadter, Trans) Harper and Row.
• Janson, H. W. (1970). History of Art. Harry N. Abrams, Incorporated.
• Kaminska, B. A. (2014). Come, let us make a city and a tower: Pieter Bruegel the Elder's Tower of Babel and the creation of a Harmonious Community in Antwerp. Journal of Historians of Netherlandish Art, 6(2), 1-24.
• Koenraad, J. (2014). An allegory of artistic choice in times of trouble: Pieter Bruegel’s Tower of Babel. Nederlands Kunsthistorisch Jaarboek, 64(1), 186-212.
• Lessing Gotthold, E. (1983). Laocoon o al gevulei hashira vehaziur [ Laocoon: An Essay on the Limits of Painting and Poetry ( D.Aran, Trans). Sifriat Poalim, Hakibbutz Hameuchad Publication.
• Levinas, E. (1979). Totality and Infinity, (A. Lingis, Trans) The Hague: Martinus Nijhoff.
• Mansbach, S. A. (1982). Pieter Bruegel's Towers of Babel. Zeitschrift für Kunstgeschichte, 45, 43-56.
• Ofrat, G. (1986). Hamedium Haomanuti [The Artistic Medium.] Stavit Publication.
• Pevsner. N. (1958). An Outline of European Architecture, Harmondsworth: Penguin, 23.
• Roberts, K. (1976). Bruegel [Bruegel] (M. Tal, Trans) Revivim Publication.
• The Contemporary Torah. (2006). The Jewish Publication Society. https://www.sefaria.org.il/Genesis.11.1?lang=en&aliyot=0
• Vytas, N. (2013). The Labours of Translation: Towards Utopian Bruegel’s Tower of Babel, Wreck, 4(1), 30-45.
• Wölfflin, H. (1962) Musagey yessod betoldot haomanut [Principles of Art History] ( N. Ben Ami, Trans) Mosad Bialik.

Identifiers

DOI

10.15503/jecs2023.2.380.400

Biblioteka Nauki

18753458