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2023 | 14 | 2 | 425-436

Article title

Moral Policing and Gender-based Violence: Portrayal of Honour and Shame in Poile Sengupta’s Mangalam

Content

Title variants

Languages of publication

Abstracts

EN
Thesis. The article aims to study Poile Sengupta’s play entitled Mangalam to analyse how the play raises a voice against society’s enforced models of masculinity and femininity, and sexual and psychological violence and its impact on women in the domestic sphere. Concept. The study foregrounds the impact of moral policing via the notions of honour and shame in Sengupta’s Mangalam and analyses that family, a micro-unit of patriarchy is the primary location of violence inflicted on women. The present study further attempts to examine interpersonal violence perpetuated through the institution of marriage through a study of the portrayal of marital violence in Sengupta’s Mangalam. Results and Conclusion. Sengupta presents contemporary social issues and interrogates moral policing and violence perpetuated by patriarchy through the discussed play. It presents a dramatic piece written by a woman, thus challenging the male-dominated narratives through a voice of protest and addressing violence inflicted on a woman’s body and psyche. Originality. The originality of the study relies on examining the underlying causes of gender-based violence within the institution of marriage and family as the smallest unit of patriarchy while also understanding the relevance of literary representations by women dramatists as resistance literature.

Keywords

Year

Volume

14

Issue

2

Pages

425-436

Physical description

Dates

published
2023

Contributors

author
  • Department of English, Chaudhary Charan Singh University (Campus) Meerut, Uttar Pradesh-250004, India
author
  • Department of English, College of Sciences and Humanities, Prince Sattam bin Abdulaziz University, Abdullah Bin Amer, 16278, Alkharj, Kingdom of Saudi Arabia
author
  • Department of English, College of Sciences and Humanities, Prince Sattam bin Abdulaziz University, Abdullah Bin Amer, 16278, Alkharj, Kingdom of Saudi Arabia

References

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  • Alam, S., Khalid, S., Ahmad, F., & Keezhatta, M. S. (2021). Mocking and making: Subjugation and suppression of marginalized and the politics of identity. Journal of Education Culture and Society, 12(1), 375–389. https://doi.org/10.15503/jecs2021.1.375.389
  • Bhasin, K. (2000). Understanding gender. Kali for women.
  • Bhatia, N. (2010). Performing women / performing womanhood: theatre, politics, and dissent in north India. Oxford University Press.
  • British Broadcasting Corporation. (2020, March 20). Nirbhaya case: Four Indian men executed for 2012 Delhi bus rape and murder. https://www.bbc.com/news/world-asia-india-51969961
  • Cixous, H. (1976). The laugh of the medusa. Signs, 1(4), 875–893. www.jstor.org/stable/3173239
  • Jackson, S. (2001). Why a materialist feminism is (still) possible-and necessary. Women's Studies International Forum, 24(3/4), 283-293. https://www.feministes-radicales.org/wp-content/uploads/2012/03/Stevi-Jackson-Why-a-Materialist-Feminism-is-still-possible-Copie.pdf
  • Khan, O. (2019). Four men confess to gang rape of woman they later burned alive, Indian police say. CNN. https://edition.cnn.com/2019/11/30/asia/india-gang-rape-intl/index.html
  • Millet, K. (2000). Theory of Sexual Politics. In W. Kolmar & F. Bartkowski (Eds.), Sexual Politics (pp. 23-58). University of Illinois Press. https://monoskop.org/images/c/c2/Millett_Kate_Sexual_Politics_1970.pdf
  • Rich, A. C. (1977). Women and Honor: Some notes on lying. Motheroot Publications, Pittsburgh Women Writers. http://www.oregoncampuscompact.org/uploads/1/3/0/4/13042698/women_and_honor_-_some_notes_on_lying__adrienne_rich_.pdf
  • Sengupta, P. (2019). Women centre stage: The dramatist and the play. Routledge.
  • Sharma, S., & Singh, B. (2022). The Gendered Subaltern and the Urban Theatre Space. Cambridge Scholars Publishing.
  • Singh, A., & Mukherjee, T. T. (2013). Gender, Space and Resistance: Women and Theatre in India. D. K. Printworld.
  • Singh, B. (2020). Reassessing progress: a study of Tripurari Sharma's Aadha Chand in the context of globalisation and displaced identities. Literary Voice, 1(12), 277-285. https://www.literaryvoice.in/LV%20March%202020.pdf
  • Singh, B. (2021). Theatre of resistance: A study of the selected works of Tripurari Sharma. [Doctoral Dissertation]. Guru Gobind Singh Indraprastha Universityhttp://hdl.handle.net/10603/448331

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
18742895

YADDA identifier

bwmeta1.element.ojs-doi-10_15503_jecs2023_2_425_436
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