Expansion as a Culture-Creating Principle of Post-Modernity: Semantic Contexts and Aesthetic Practices

• Authors: Oleksii Marchenko , Oksana Pushonkova , Olha Gladun , Olena Kolomiiets , Volodymyr Protsyshyn , Serhii Pianzin

Abstracts

EN

Aim. The purpose of the study is to analyse the structural aspects of expansion, which find expression in cultural metaphors and philosophical concepts, the transformation of the content of which is evidence of the emergence of new aesthetic practices. Methods. The research methodology involves the use of a systemic approach and such methods as analytical, comparative, axiological, and hermeneutic to understand the patterns of formation of paradigms of visual culture and contexts of expansion in postmodern culture. Results. The metaphor of glass during the 20th century loses its meaning as a source of the effects of refraction of reality in perception, the excessive complexity of which forms a tendency for simplifying and zeroing. The expansion becomes an important principle of cultural dynamics, extends to space and time, communication and identity in the world of the rapid circulation of information and its instant obsolescence. The patterns of expansion are observed in the processes of aestheticisation and aesthetic experience as the breaking out of form, perspective, perception and inclusion of the Self in the profound contexts of collective practices. Conclusions. Through mastering new sensual modalities in the photo, film reality, and the latest Internet technologies, there is an expansion of perception as an expansion of media. Therefore, at the level of identity the practices of focus, concentration, and slow contemplation gain importance. In the cultural aspect, the expansion enables a return to tradition in a new capacity.

Keywords

EN

postmodernity; expansion; paradigm of visual culture; aestheticisation; aesthetic practices; modern art; creativity; identity

• Publisher: Fundacja Pro Scientia Publica
• Journal: Journal of Education Culture and Society
• Year: 2023
• Volume: 14
• Issue: 2
• Pages: 57-77

Dates

published

2023

Contributors

author

Oleksii Marchenko

• Institute of International Relations, History and Philosophy, Bohdan Khmelnytsky National University of Cherkasy, bulv. Tarasa Shevchenka 81, 18031, Cherkasy, Ukraine

• https://orcid.org/0000000325536744

author

Oksana Pushonkova

• Institute of International Relations, History and Philosophy, Bohdan Khmelnytsky National University of Cherkasy, bulv. Tarasa Shevchenka 81, 18031, Cherkasy, Ukraine

• https://orcid.org/0000000283906806

author

Olha Gladun

• Communal Institution «Regional Art Museum», Cherkasy Regional Council, vul. Khreshchatyk 259, 18001, Cherkasy, Ukraine

• https://orcid.org/0000000194642730

author

Olena Kolomiiets

• Institute of Pedagogical Education, Social Work and Art, Bohdan Khmelnytsky National University of Cherkasy, vul. Ostafia Dashkovycha 24, 18001, Cherkasy, Ukraine

• https://orcid.org/0000000213434268

author

Volodymyr Protsyshyn

• Institute of International Relations, History and Philosophy, Bohdan Khmelnytsky National University of Cherkasy, bulv. Tarasa Shevchenka 81, 18031, Cherkasy, Ukraine

• https://orcid.org/0000000152395612

author

Serhii Pianzin

• Institute of International Relations, History and Philosophy, Bohdan Khmelnytsky National University of Cherkasy, bulv. Tarasa Shevchenka 81, 18031, Cherkasy, Ukraine

• https://orcid.org/0000000337461743

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Identifiers

DOI

10.15503/jecs2023.2.57.77

Biblioteka Nauki

18752531