South African art – twenty years since the advent of the post-apartheid era

• Authors: Aneta Pawłowska
• Publisher: Wydawnictwo Adam Marszałek
• Journal: Art of the Orient
• Year: 2014
• Volume: 3
• Pages: 269-281

Dates

published

2014

Contributors

author

Aneta Pawłowska

• University of Łódź
• Polish Institute of World Art Studies

References

• Allara 2003 = Allara Pamela, Johannesburg: In and Out of the Museum The Joubert Park Project, 2000 – 2001, “Journal of Contemporary African Art Nka” 2003, Spring/ Summer, vol. 18: 28 – 33.
• Allara 2003 et al. = Coexistence: Contemporary Cultural Production in South Africa, Allara Pamela, Martin Marilyn, Zola Mtshiza (eds.), Brandeis University and Iziko Museums of Cape Town, Brandeis University Office of Publications, Massachusetts 2003.
• Bedford 2004 = Emma Bedford, A Decade of Democracy: South African Art 1994 – 2004, Doubley Story, Cape Town 2004.
• Berman 1993 = Esmé Berman, Painting in South Africa, Southern Book, Cape Town 1993.
• Brown et al. (1991) = History from South Africa. Alternative Visions and Practices, Joshua Brown, Patrick Manning, Karin Shapiro, Jon Wiener (eds.), Temple University Press, Philadelphia 1991.
• Collins 2014 = Kevin Collins, An event that really shaped my re-thinking of Art in South Africa, http://kevcollinspaintings.tumblr.com/post/36140058114/an-eventthat-really-shaped-my-re-thinking-of-art-in (9.08.2014).
• Coombes 1997 = Coombes Annie E., Siopis Penny, Gender, Race, Ethnicity in Art Practice in Post-Apartheid South Africa: Annie E. Coombes and Penny Siopis in Conversation, “Feminist Review”, 1997, Spring, no 55: 110 – 129.
• Coombes 2003 = Coombes Annie, History After Apartheid: Visual Culture and Public Memory in a Democratic South Africa, Duke University Press, Durham 2003.
• Curtin et al. (2003) = Historia Afryki. Narody i cywilizacje, Philip Curtin, Steven Feierman, Leonard Monteath Thompson, Jan Vansina (eds), tłum. Marek Jnnasz, konsultacja Bronisław Nowak, Marabut, Gdańsk 2003.
• Elphick 1985 = Elphick Richard, Khoikhoi and the Founding of White South Africa, Ravan Press, Johannesburg 1985.
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• Marschall 2002 = Sabine Marschall, Positioning the ‘Other’ Reception and Interpretation of Contemporary Black South African Artists in African cultures, visual arts, and the museum: Sights /Sites of Creativity and Conflict, ed. T. Döring, Editions Rodopi Amsterdam & New York 2002: 55 – 71.
• Matthews 2003 = Matthews Michelle, Diane Victor at the Goodman Gallery, “Artthrob” 2003, 66/2.
• Moerdijk (1954) = Moerdijk, Gerard: “Design and Symbolism of the Voortrekker Monument”, The Voortrekker Monument Guide, Board of Control of the Voortrekker Monument, Pretoria 1954: 30 – 58.
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• Ntuli 2013 = Interview with Pitika Ntuli 2013 eNCA TV http://www.youtube.com/watch?v=3koQ6W6aMmA (20.08.2014).
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• Pawłowska 2013b = The European Masterpieces as Inspiration of the Modern South African Art, in: Old art inspirations on the art 20th and 21st centuries. “Studies on Modern Art”, vol. 4, (eds.) Małgorzata Geron, Jerzy Malinowski, Wydawnictwo Libron, Kraków 2013: 279 – 287.
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• Williamson 2009 = Williamson, Sue: South African Art Now, HarperCollins, New York 2009: 16 – 20.

Identifiers

DOI

10.15804/aoto201416

Biblioteka Nauki

2171539