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2015 | 4 | 59-76

Article title

Su Shi 蘇軾 (1037 – 1101 AD) as an Amateur of Art Collecting

Authors

Content

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Languages of publication

Abstracts

Keywords

Year

Volume

4

Pages

59-76

Physical description

Dates

published
2015

Contributors

  • Academy of Fine Arts, Gdansk State Ethnographic Museum in Warsaw Polish Institute of World Art Studies

References

  • Bush (1978) = Susan Bush, The Chinese Literati on Painting. Si Shih (1037 – 1101) to Tung Ch’i-ch’ang (1555 – 1636). Harvard-Yenching Institute Studies 27. Second printing with corrections. Harvard: Harvard University Press, 1978.
  • Chen (2011) = Hui-huihsia Chen 陳慧霞, “Song Sushi Duanshi Congxingyan 宋 蘇 軾端石從星 硯.” In: Jingcai yibai: Guobao zongdongyun 精彩一百: 國寶總動員 (Splendid treasures: a hundred masterpieces of the National Palace Museum on parade). Taipei: Guoli Gugong bowuyuan 國立故宮博物院, 2011.
  • David (1971) = Sir Percival David, Chinese Connoisseurship. The Ko Ku Yao Lun The Essencial Criteria of Antiquities a translation made and edited by Sir Percival David. London: Faber and Faber Limited, 1971.
  • Ebrey (2008) = Patricia Buckley Ebrey, Accumulating Culture. The Collections of Emperor Huizong. Washington, Seattle & London: University of Washington Press, 2008.
  • Egan (1989) = Ronald C. Egan, “Ou-yang Hsiu and Su Shih on Calligraphy”. In: Harvard Journal of Asiatic Studies. Vol. 49. No. 2. Dec. 1989: 365 – 419.
  • Egan (1994): Ronald C. Egan, Word, Image, and Deed in the Life of Su Shi, Harvard: Harvard University Press, 1994.
  • Egan 2006: Ronald C. Egan, The Problem of Beauty. Aesthetic Thought and Pursuits in Northern Song Dynasty China, Cambridge (Massachusetts) and London: Harvard University Press, 2006.
  • Elkins (2010) = James Elkins, Chinese Landscape Painting as Western Art History. With a Foreword by Jennifer Purtle. Singapore: NUS Press National University of Singapore, 2010.
  • Harrist (1998) = Robert E., Jr. Harrist, Painting and private life in 11th century China: Mountain Villa by Li Gonglin. Princeton: Princeton University Press, 1998.
  • He (2000) = Chuan Xin He 何傳馨, Pu Sitang 蒲思棠 (ed.), Qian Xi Nian Songdai Wenwu Da Zhan 千禧年宋代文物大展 (China at the inception of the second millennium A.D. Art and culture of the Sung Dynasty, 960 – 1279), National Palace Museum: Taipei, 2000.
  • Lesbre, Liu (2004) = Emmanuelle Lesbre, Liu Jianlong, La peinture chinoise. Paris: Hazan, 2004.
  • Lo (2002) = Andrew Lo, “Su Shi yu yan wenhua”. [Su Shi and the Culture of Inkstones]. In: Songdai wenxue yanjiu congkan (Studies on Song Dynasty Literature), Vol. 8, 2002: 471 – 493.
  • Owen (1996) = Stephen Owen, An Anthology of Chinese Literature. Beginnings to 1911. Edited and translated by Stephen Owen. New York • London: W.W. Norton & Company, 1996.
  • SDOCQ (1988): SDOCQ Su Dongpo chuan qi 蘇東坡傳奇, Collective work. Tapiei: Shinchosha 新潮社, 1988.
  • Sirén (1956 – 58.1) = Osvald Sirén, Chinese Painting, Leading Masters and Principles. 7 vols. New York: Ronald Press, 1956 – 58.
  • SSSJ (1982) = Su Shi shiji 蘇轼詩集, 50 juan, by Su Shi 蘇轼 (1036 – 1101). Edited by Kong Fanli 孔凡 禮, 8 vols. Beijing: Zhonghua shuju 中华书局, 1982.
  • SSWJ (1986) = Su Shi wenji 蘇轼文集, 73 juan, by Su Shi 蘇轼 (1036 – 1101). Edited by Kong Fanli 孔凡 禮, 6 vols. Beijing: Zhonghua shuju 中华书局, 1982.
  • Struman (1997) = Peter C. Struman, Mi Fu: Style and the Art of Calligraphy in Northern Song China. New Heaven: Yale University Press, 1997.
  • Sullivan (1965) = Michael Sullivan, “Notes on Early Chinese Screen Painting”. Artibus Asiae, Vol. 27, No. 3, 1965: 239 – 264.
  • Tian (2005) = Tian Xiaofei, Tao Yuanming & Manuscript Culture. Record of a Dusty Table. Washington: University of Washington Press, 2005.
  • Watson (2007) = Philip Watson, Grand Canal, Great River: The Travel Diary of a Twelfth-Century Chinese Poet. Translated with a commentary by Philip Watson. London: Frances Lincoln, 2007.
  • Yang (2003) = Yang Xiaoshan, Metamorphosis of the Private Sphere. Gardens and Objects in the Tang-Song Poetry. Cambridge: Harvard University Asia Center. Harvard East Asian Monographs 225, 2003.
  • Yang (2004) = Yang Xiaoshan, “Li Deyu’s Mountain Villa at Pingquan: Forming an Emblem from the Tang to the Song,” Asia Major 3rd series, 17, pt. 2, 2004: 45 – 88.
  • YNLBCH (1997) = Yang Xin, Nie Chongzheng, Lang Shaojun, Richard M. Barnhart, James Cahill, Wu Hung, Three Thousand Years of Chinese Painting, New Haven & London: Yale University Press; Beijing: Foreign Languages Press, 1997.
  • Zhang (2006): Zhang Anzhi, A History of Chinese Painting. Beijing: Foreign Languages Press, 2006.
  • Zheng (200(1999)): Zheng Jiahua 鄭家璍, “Song Sushi Congxingyan 宋蘇軾從星硯”. In: National Palace Museum monthly 故宮文物月刊, 200(1999): 124.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2168675

YADDA identifier

bwmeta1.element.ojs-doi-10_15804_aoto201503
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