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2015 | 4 | 101-121

Article title

Problems Regarding the Re-mounting and Restoration of Chinese Hanging Scrolls – Local Traditions versus Globalisation

Content

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Abstracts

Keywords

Year

Volume

4

Pages

101-121

Physical description

Dates

published
2015

Contributors

  • Academy of Fine Arts, Warsaw Polish Institute of World Art Studies

References

  • An-chih (1986) = Chang An-chih (ed.), Chung-kuo mei-shu ch’uan-chi, hui-hua pien I (Chinese Art Series: Painting, vol. I), Peking, 1986.
  • An-lan (1983) = Yü An-lan (ed), Hua-shih ts’ung-shu (Series on Art History), Taipei, 1983.
  • Convention (2003) = “Convention for the Safeguarding of the Intangible Cultural Heritage 2003”, http://www.unesco.org/culture/ich/index.php?pg=00006.
  • Fang-ju (2008a) = Liu Fang-ju, “The mounting formats, conservation and remounting of Chinese painting and Calligraphy”, The Art of Mounting Chinese Painting and Calligraphy, Liu Fang-ju (ed.), Taipei, 2008: 24 – 44.
  • Fang-ju (2008b) = Liu Fang-ju (ed.), The Art of Mounting Chinese Painting and Calligraphy, Taipei, 2008.
  • Gulik (1958) = Robert Hans van Gulik, Chinese pictorial art as viewed by the connoisseur, Instituto per il Medio ed Estremo Oriente, Roma, 1958.
  • Hung-sheng (2004) = T’ien Hung-sheng (ed.), Chih-chien-Chung-kuo ku-tai shu-hua, wen-hsien yung chih chien-shang (Connoisseurship of Paper: An Appreciation of Paper used in Ancient Chinese Documents and Painting and Calligraphy), T’ai-yuan, 2004.
  • Lee, Gu, Hou (2003) = Valerie Lee, Xiangmei Gu, Yuan-li Hou , “The treatment of Chinese ancestor portraits: an introduction to Chinese painting conservation techniques”, Journal of American Institute for Conservation, 2003, 42 (3): 463 – 477.
  • Liszewska (2011) = Weronika Liszewska, “The safeguarding of Asian and European heritage in regard to the conservation standards”. In: Poland-China. Art and Cultural Heritage, Joanna Wasilewska (ed.), Kraków, 2011: 107 – 114.
  • Liszewska (2014) = Weronika Liszewska, “Care and Conservation of Chinese hanging scrolls in Polish collections”. In: Proceedings of the Second International Conference of Polish and Chinese Art – China-Poland, Art and Cultural Heritage, Tainan, 2014: 311 – 318.
  • Liszewska, Gajewska-Brodowska (2009) = Weronika Liszewska, Katarzyna GajewskaBrodowska, “Techniki montażu chińskich zwojów pionowych z punktu widzenia konserwatora”. In: Joanna Wasilewska (ed.), Sztuka Chin, Warszawa, 2009: 191 – 200.
  • Liszewska, Tomaszewski (2009) = Weronika Liszewska, Jacek Tomaszewski, Dokumentacja prac konserwatorskich chińskich zwojów pionowych z kolekcji Muzeum Azji i Pacyfiku w Warszawie [Report on the conservation treatment of Chinese hanging scrolls from the collection of Asia and Pacific Museum in Warsaw], unpublished report, Warszawa 2009.
  • Nara Document (1994) = Nara Document of Authenticity. In: Report of the Experts Meeting. 1994 Convention Concerning the Protection of the World Cultural and Natural Heritage, Nov. 1994, http://www.unesco.org/who/archive/nara94/html.
  • P’eng-sheng (2003) = Feng P’eng-sheng, Chung-kuo shu-hua chuang-piao chi-fa (Methods in Mounting Chinese Painting and Calligraphy), Peking 2003.
  • Ping-chuang, Tzu-hsiung (1999) = Tu Ping-chuang and Tu Tzu-hsiung, Shu-hua changpiao chi-I chi-shih (Compilation and Explanation on the Art and Craft of Painting and Calligraphy Mounting), Shanghai 1999.
  • Ting-fu (2004) = Fan Ting-fu, Shu-hua chieh-piao hsiu-fu chih yen-chiu: I chan-shihhsing chia-ku fang-fa yu ts’ai-liao wei chu (Research on the Remounting and Restoration of Painting and Calligraphy: Focusing on Methods and materials of Temporary Reinforcement), Master’s thesis, Tainan National University of the Arts, Graduate Institute of Conservation of Cultural Relics, 2004.
  • Tzu-hsiung (1989) = Tu Tzu-hsiung, Shu-hua chuang-huang hsueh (Studies in Mounting Painting and Calligraphy, Shanghai 1989.
  • UNESCO Declaration (2001) = UNESCO Universal Declaration on Cultural Diversity 2001, http://unesdoc.unesco.org/images/0012/001271/127160m.pdf.
  • Wills (1985) = Paul Wills, “Far Eastern pictorial art – form and function”, The Paper Conservator, 1985, 9: 5 – 12.
  • Wills (1987) = Paul Wills, “New directions of the ancient kind: conservation traditions in the Far East”, The Paper Conservator, 1987, 11: 36 – 38.
  • Winter (1974) = John Winter, “Preliminary investigations on Chinese ink in Far Eastern paintings,” Archeological Chemistry, Advances in Chemistry Series 138, 1974: 207 – 25.
  • Winter (1980) = John Winter, “Deterioration mechanisms in East Asian paintings, some considerations of microscopic structure and mechanical failure models”. In: Proceedings of the International Symposium on the Conservation and Restoration of Cultural Property – Conservation of Far Eastern Objects – 26 – 29 November 1979, Tokyo National Research Institute of Cultural Properties, Tokyo 1980: 27 – 48.
  • Winter (1984) = John Winter, “Pigments in China – a preliminary bibliography of identifications”. In: Proceedings of 7th Triennal Meeting ICOM CC, Copenhagen, 1984: 11 – 12.
  • Winter (1985) = John Winter, “Some material points in the Care of East Asian Paintings”, The International Journal of Museum Management and Curatorship, 1985, 4: 251 – 264.
  • Winter, Gaiccai, Leona (2003) = John Winter, Jennifer Gaiccai, Marco Leona, “East Asian Painting Pigments: Progress and Remaining Problems”, in: Scientific Research in the Field of Asian Art, Proceedings of the First Forbes Symposium at the Freer Gallery of Art, 2003: 157 – 163.
  • Wise, Wise (1997) = David Wise, Andrea Wise, “Observations on Nineteenth-century Chinese Pigments with Special Reference to Copper Greens”. In: IPC Conference Proceedings, London 1997: 125 – 136.
  • Wojtczak (1996) = Mirosława Wojtczak, “Problemy konserwacji zabytków Dalekiego Wschodu na papierze i tkaninie-malarstwo na zwojach pionowych”, Ochrona Zabytków, 1996, 3: 35 – 44.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2168673

YADDA identifier

bwmeta1.element.ojs-doi-10_15804_aoto201505
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