Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2015 | 4 | 122-140

Article title

Chinese Embroidered Textiles from the Period between the 18th and the 20th Centuries in the Collection of the National Museum in Warsaw

Content

Title variants

Languages of publication

Abstracts

Keywords

Year

Volume

4

Pages

122-140

Physical description

Dates

published
2015

Contributors

  • Polish Institute of World Art Studies

References

  • Barnhart (1993) = Richard Barnhart, Painters of the Great Ming: The Imprial Court and the Zhe School, Dallas: Dallas Museum of Art, 1993.
  • Berinstein (1999) = Dorothy Berinstein, “Hunts, Processions, and Telescopes: A Painting of an Imperial Hunt by Lang Shining (Giuseppe Castiglione)”, RES: Anthropology and Aesthetics, Vol. 35, 1999: 170 – 184.
  • Bickford (1999) = Maggie Bickford, “Three Rams and Three Friends: The Working Lives of Chinese Auspicious Motifs”, Asia Major, Vol. 12, 1999: 127 – 158.
  • Cammann (1960) = Schuyler Cammann, “Embroidery Techniques in Old China”, Archives of the Chinese Art Society of America, Vol. 14, 1960: 16 – 39.
  • Cao Xueqin (2010) = Cao Xueqin, Dream of the Red Chamber, transl. H. Bencraft Joly, Singapore: Tuttle Publishing, 2010.
  • Carlitz (1991) = Katherine Carlitz, “The Social Uses of Female Virtue in Late Ming Editions of Lienu Zhuan”, Late Imperial China, Vol. 12, No. 2, 1991: 117 – 148.
  • Chang Kang-i Sun (1998) = Chang Kang-i Sun, “Ming-Qing Women Poet and the Notions of ‘Talent and Morality’ “. In Culture and State in Chinese History: Conventions, Conflicts, and Accommodations, Bin Wong, T. Hunters, Pauline Yu, (eds.), Stanford, California: Stanford University Press 1998.
  • Clabburn (1976) = Pamela Clabburn, The Needleworker’s Dictionary, New York: William Morrow, 1976.
  • Cooper (1977) = Jean Cooper, “The Symbolism of the Taoist Garden”, Studies in Comparative Religion, Vol. 11, No. 4, 1977: 1 – 9.
  • De Barry, Chan Wing-tsit, Tan Chester (2000) = William Theodore De Bary, Chan Wing-tsit, Tan Chester, Sources of Chinese Tradition: From 1600 Through the Twentieth Century, Vol. 2, New York: Columbia University Press, 2000.
  • Ding Pei (1994) = Ding Pei, “Xiupu”. In: Congshu jicheng xubian, Vol. 79, Shanghai: Shanghai shudian, 1994: 795 – 804.
  • Edwards (1994) = Louise P. Edwards, Men and Women in Qing China: Gender in the Red Chamber Dreams, Leiden; New York: Brill, 1994.
  • Fong Wen (1992) = Fong Wen, Beyond Representation: Chinese Painting and Calligraphy 8th-14 th Century, New York: The Metropolitan Museum of Art, New Haven and London: Yale University Press, 1992.
  • Hinsch (2004) = Bret Hinsch, “The Textual History of Liu Xiang’s Lienüzhuan”, Monumenta Serica, Vol. 52, 2004: 95 – 112;
  • Hu Jing (1971) = Hu Jing et al., Shiqu baoji sanbin, Taipei: National Palace Museum, 1971.
  • Huang Nengfu (1985 – 1987) = Huang Nengfu (ed.), Yinran zhi xiu (xia) (Printing, dyeing, weaving, and embroidery, part 2). In: Zhongguo meishu guanji: Gongyi meishu bian, 7 (The great treasury of Chinese fine arts: Arts and crafts, 7), Beijing: Wenwu chuban she, 1985 – 1987.
  • Indictor, Koestler, Wypyski, Wardwell (1989) = Norman Indictor, Robert J. Koestler, Marc Wypyski, Anne E. Wardwell, “Metal Threads Made of Proteinaceous Substrates Examined by Sscanning Electron Microscopy–Eenergy Dispersive X-Ray Spectrometry”, Studies in Conservation, Vol. 34, 1989: 171 – 182.
  • Jacoby, Markiewicz, Popkowska (2009) = Jacoby M., Markiewicz J., Popkowska J., Sztuka chińska w zbiorach Muzeum Narodowego w Warszawie, Warszawa: Muzeum Narodowe w Warszawie, 2009.
  • Járó (1990) = Márta Járó, “Gold Embroidery and Fabrics in Europe: XI-XIV Centuries”, Gold Bulletin, Vol. 23, No. 2, 1990: 40 – 57.
  • Needham, Kuhn (1988) = Joseph Needham, Dieter Kuhn, Science and Civilization in China, Vol. 5: Chemistry and Chemical Technology, Part IX: Textile Technology: Spinning and Reeling, Cambridge: Cambridge University Press, 1988.
  • Priest, Simmons (1931) = Alan Priest, Pauline Simmons, Chinese Textiles: An Introduction to the Study of Their History, Sources, Technique, Symbolism and Use, Occasioned by the Exhibition of Chinese Court Robes and Accessories, New York: The Metropolitan Museum of Art , 1931.
  • Raphals (1998) = L. Raphals, Shaving the Light: Representations of Women and Virtue in Early China, Albany: State University of New York Press, 1998.
  • Rogers (1988) = Howard Rogers, “For Love of God: Castiglione at the Qing Imperial Court”, Phoebus, Vol. 6, No. 1, 1988: 141 – 160.
  • Saussy (1987) = Haun Saussy, “Reading and Folly in Dream of the Red Chamber”, Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol. 9, No. 1/2, 1987: 23 – 47.
  • Sullivan (1980) = Michael Sullivan, Chinese Landscape Painting in the Sui and T’ang Dynasties, Berkeley, Los Angeles: University of California Press, 1980.
  • The Imperial (2008) = The Imperial Wardrobe: The Chinese Costume and Textiles from the Linda Wrigglesworth Collection, Christie’s catalogue, New York: Christie’s, 2008.
  • Tripodes (1999) = Lucia Tripodes, “Painting and Diplomacy at the Qianlong Court: A Commemorative Picture by Wang Znicheng (Jean-Denis Attiret)”, RES: Anthropology and Aesthetics, No. 35, Intercultural China, 1999: 185 – 200.
  • Vinograd (1992) = Richard Vinograd, Boundaries of the Self: Chinese Portraits, 1600 – 1900, Cambridge: Cambridge University Press, 1992.
  • Wang (2010) = Robin R. Wang, “Virtue (de), Talent (cai) and Beauty (se): Authoring a Full-Fledged Womanhood in Lienuzhuan (Biographies of Women), Philosophy Compass, Vol. 5, Issue 8, 2010: 635 – 644.
  • Wang Shifu, Hsiung Shih I, Yuan Zhen (1936) = Wang Shifu, Hsiung Shih I, Yuan Zhen, The Romance of the Western Chamber (Hsi Hsiang Chi): A Chinese Play Written in the Thirteenth Century, tranl. S.I. Hsuing, New York: Liveright Pub. Corp., 1936.
  • Weidner (1988) = Marsha Weidner, Views from Jade Terrace: Chinese Women Artists 1300 – 1912, Indianapolis: Indianapolis Museum of Art, Newy York: Rizzoli, 1988.
  • Whitfield 1985, Roderick Whitfield, “Bilder am Hof der Ming Dynastie” In Palastmuseum Peking Schätze aus der Verbotenen Stadt, Berlin: Runze & Casper 1985, p. 73 – 74.
  • Young Yang Chung (1979) = Young Yang Chung, The Art of Oriental Embroidery: History, Aesthetics and Techniques, New York: Bell and Hyman, 1979.
  • Yu (1997) = Anthony C. Yu, Reading the Stone: Desire and the Making of Fiction in Dream of the Red Chamber, Princeton: Princeton University Press, 1997.
  • Yuan Zujie (2007) = Yuan Zujie, “Dressing for Power: Rite, Costume, and State Authority in Ming Dynasty China”, Frontiers of History in China, Vol. 2, No. 2, 2007: 181 – 212.
  • Zhu, Hutt (1986) = Jiajin Zhu, Graham Hutt, Treasures of the Forbidden City, New York: Viking, 1986.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2168672

YADDA identifier

bwmeta1.element.ojs-doi-10_15804_aoto201506
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.