Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2020 | 38 | 1 |

Article title

Uwięziony przez femme fatale w bezprawnym świecie: Prosta sztuka powieści Hard-Boiled i filmu Noir.

Content

Title variants

Languages of publication

EN

Abstracts

EN
The article presents the beginnings of the hard-boiled novel and film noir, which date back to the 1920s and 1930s. Difficult economic and political conditions of that time gave rise to the  new genres in literature and cinematography. The classic novels by Raymond Chandler and DashiellHammett present a world, where crime goes unpunished and order can never be restored. An important role in novel narrative, enabling the authors to build such a vision, is played by the city, presented as a labyrinth that lures the main character in. A lonely detective fights against injustice and often falls for a femme fatale, who abuses him for her own purposes. The paper analyses the history, evolution and characteristics of the literary genre in order to showcase the impact of hard-boiled novels on film noir, as well as to outline the principles of “simple” art of hard-boiled novels and film noir.
PL
Historia powieści hard-boiled i filmu noir sięga lat dwudziestych i trzydziestych XX wieku. Trudne warunki ekonomiczne i polityczne tamtych czasów dały początek nowemu gatunkowi literatury i kinematografii. Klasyczne powieści przedstawiają świat, w którym zbrodnia pozostaje bezkarna, a porządek nigdy nie zostaje przywrócony. Miasto, przedstawione jako labirynt wciągający głównego bohatera, odgrywa ważną rolę w narracji. Samotny detektyw walczy z niesprawiedliwością i często zakochuje się w femme fatale, która wykorzystuje go do własnych celów. Artykuł analizuje historię i ewolucję owego gatunku literackiego oraz próbuje uchwycić prostą sztukę powieści hard-boiled i filmu noir.

Year

Volume

38

Issue

1

Physical description

Dates

published
2020
online
2020-12-21

Contributors

References

  • References
  • Blandford, Steve, Barry Keith, Grant, Jim, Hillier. (2001). The Film Studies Dictionary. London: Arnold.
  • Chandler, Raymond. (1950). The Simple Art of Murder. Boston: Houghton Mifflin.
  • Chandler, Raymond. (1960). Fingerman. London: Ace Books.
  • Christopher, Nicholas. (1997). Somewhere in the Night: Film Noir and the American City. New York: Free Press.
  • Dickos, Andrew. (2002). Street with No Name: A History of the Classic American Film Noir. Kentucky: The University Press of Kentucky.
  • Doane, Mary Ann. (1991). Femmes Fatales: Feminism, Film Theory, Psychoanalysis. London: Routledge.
  • Duncan, Paul. (2006). Film Noir: Films of Trust and Betrayal. Pocket Essentials.
  • Green, Philip. (1998). Cracks in the Pedestal: Ideology and Gender in Hollywood. Boston: University of Massachusetts Press.
  • Grossman, Julie. (2009). Rethinking the Femme Fatale in Film Noir: Ready for Her Close-up. London: Palgrave MacMillan.
  • Hirsch, Foster. (1981). The Dark Side of the Screen: Film Noir. New York: Da Capo.
  • Horsley, Lee. (2005). Twentieth-Century Crime Fiction. London: Oxford University Press.
  • Krutnik, Frank. (1991). In a Lonely Street: Film Noir, Genre, Masculinity. London: Routledge.
  • Lott, Eric. (2005). Racing the Paradigm: The Whiteness of Film Noir. In: Jans B. Wager(ed.), Dames in the Driver’s Seat: Reading Film Noir (pp.29–35). Texas: The University of Texas Press.
  • Lyons, Arthur. (2000). Death on the Cheap: The Lost B Movies of Film Noir. Boston: Da Capo Press.
  • Mayer, Geoff. (2007). Introduction: Readings on Film Noir. In: Geoff Mayer, Brian McDonnell (eds.), Encyclopedia of Film Noir (pp.3–18). London: Greenwood Press.
  • Mayer, Geoff. (2007).The Hard-Boiled Influence. In: Geoff Mayer, Brian McDonnell, Encyclopedia of Film Noir (pp.19–46). London: Greenwood Press.
  • McDonnell, Brian. (2007). Film Noir and the City. In: Geoff Mayer, Brian McDonnell, Encyclopedia of Film Noir (pp.47–61). London: Greenwood Press.
  • Naremore, James. (2008). More than Night: Film Noir in Its Contexts. California: University of California Press.
  • Park, William. (2011). What Is Film Noir? Pennsylvania: Bucknell University Press.
  • Phillips, Gene D. (2012) Out of the Shadows – Expanding the Canon of Classic Film Noir. Maryland: The Scarecrow Press.
  • Simpson, Phillip. (2010). Noir and the Psycho Thriller. In: Charles J. Rzepka, Lee Horsley (eds.), A Companion to Crime Fiction (pp.187–197). New Jersey: Blackwell Publishing.
  • Snyder, Scott. (2001). Personality Disorder and the Film Noir Femme Fatale. Journal of Criminal Justice and Popular Culture, 8(3), pp. 155–8.
  • Symons, Julian. (1985). Dashiell Hammett. California: Harcourt, Brace, and Jovanovich.
  • Spicer, Andrew. (2010). Historical Dictionary of Film Noir. Plymouth: The Scarecrow Press.
  • Wager, Jans B. (2005). Dames in the Driver’s Seat: Reading Film Noir. Texas: The University of Texas Press.

Document Type

Publication order reference

YADDA identifier

bwmeta1.element.ojs-doi-10_17951_ff_2020_38_1_97-111
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.