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Abstracts
Artykuł nie zawiera abstraktu w języku polskim
Technological progress in the last three decades has considerably changed the creative process in many fields of art. Computer technologies of the 1980s became available to large numbers of users owing to the appearance of personal computers on the market. These computers enabled artists to manipulate the sound and picture to a far greater extent. Through interaction they also made it possible for the spectator to interfere in a work of art, thereby introducing a multitude of interpretations and direct infl uence on works of art. The idea of the spectator’s participation in jointly creating a work of art was utilized long before a personal computer was constructed. Such artists as Marcel Duchamp, JohnCage, Allan Kaprow, or Nam June Paik, to name only a few, were pioneers of interaction and the audience’s involvement in the creative process. The article discusses the term “interaction in art” and, which is the main subject of discourse, selected theoretical and practical aspects of the concepts utilizing the interactionphenomenon that are represented by Roy Ascott, Ryszard Kluszczyński, Ron Burnett, Filipp Tommas Marinetti, Marcel Duchamp, John Cage, Allan Kaprow, and NamJun Paik.
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Year
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published
2013
online
2015-07-09
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author
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Publication order reference
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YADDA identifier
bwmeta1.element.ojs-doi-10_17951_l_2013_11_1_45
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