PL EN


2014 | 12 | 2 |
Article title

Persephassa. Xenakisa architektura brzmieniowa dla sześciu perkusistów

Content
Title variants
Languages of publication
PL
Abstracts
PL
Brak streszczenia w języku polskim.
EN
Musical pieces composed for a percussion ensemble form a signifi cant portion of Iannis Xenakis’s creative achievements. One of major compositions in this genre is his Persephassa (1969) for six percussionists. The set of instruments used by Xenakis is divided into four sound levels: skins (peaux), pieces of wood (bois), metals (metal), effects (pierre). Each percussionist has a wide acoustic array consisting of over a dozen instruments. The sonoric aspect of the piece is enriched through the positioning of the musicians around the audience. The fi rst part of the paper analyzes the form of the composition: its course, division, structural, rhythmical, textural, agogic, energy-containing, and sound solutions, as well as the kinds of culminations and special effects (rhythmical chaos). The other part of the article describes the use of compositional devices that determine the specifi city of a musical piece, such as complicated rhythmical structuralism, (resulting from the combinations of elements of probability calculus and computer algorithms) or sonoric effects (e.g. “sound clouds”), discussed in close connection with the problems of performing technique.
Keywords
PL
EN
Year
Volume
12
Issue
2
Physical description
Dates
published
2014
online
2015-09-07
Contributors
References
  • Artykuł nie zawiera bibliografii załącznikowej.
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.ojs-doi-10_17951_l_2014_12_2_153
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