Récit comme négation du récit. Un procédé antinarratologique d’Edmond Jabès.

• Authors: Anna Bálint
• Languages of publication: FR

Abstracts

EN

The several boundlessly shattered pages of “Story” by Edmond Jabès introduce one of his most embittered ideas. It is namely the acknowledgement of the impossibility of writing „precisely” a story through the separation of a couple and the parceling of a landscape. Nevertheless, the author does not give way to a confused and gloomy poetry but by recognizing the incommunicable he contemplates and then perceives emptiness in order to exhibit it to us in the purest possible way. Over and above unlimited space, what will therefore be presented is the eternal departure.

Keywords

EN

PL

• Publisher: Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
• Journal: Lublin Studies in Modern Languages and Literature
• Year: 2014
• Volume: 38
• Issue: 2

Dates

published

2014

online

2014-11-12

Contributors

author

Anna Bálint

References

• Blanchot M. (1969) : Entretien infini.Paris : Gallimard.
• Cahen D. (1991) : Edmond Jabès. Paris : Belfond.
• Cohen M., Crasson A., Fenoglio I. (2005) : Edmond Jabès, RÉCIT, Les cinq états du manuscrit. Paris : Editions Textuel.
• Jabès E. (2006) : Les Livre des questions, Le Retour au livre. Paris : Gallimard.
• Jabès E. (1987) : Le Livre du partage. Paris : Gallimard.
• Jabès E. (2003) : Le Seuil. Le Sable. Paris : Gallimard.
• Motte W. (1999) : Small words: Minimalism of contemporary French literature. Lincoln : University of Nebraska Press.
• Shillony H. (1991) : Edmond Jabès. Une rhétorique de la subversion. Paris : Lettres modernes.
• Waldrop R. (2003) : Lavish Absence: Recalling and rereading Edmond Jabès., Middletown : Wesleyan University Press.

Identifiers

DOI

10.17951/lsmll.2014.38.2.1