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2019 | 43 | 1 |

Article title

Beigbeder and immorality of modern society

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
Frédéric Beigbeder, French writer, takes a sarcastic and uncomfortable look at the future of the immediately contemporary world. His narrative technique, his bold, provocative and innovative style, the figure of his protagonist who looks much more like an antihero, create a literature voluntarily disengaged from explicit political discussion, to the benefit of the intimate and the anecdotal, where contemporary French society is carefully scrutinized. Our study therefore consists of an analysis of Beigbeder’s works with the purpose of bringing out their civilizational and societal notions and exposing the ambiguity of the society of our time and its oppression of the human being, described in all its truth, with its baseness, malaise, and solitary but deeply greedy and absurd nature.
DE
Der Artikel enthält Zusammenfassungen nur in Englisch und Französisch.
FR
 Frédéric Beigbeder, French writer, takes a sarcastic and uncomfortable look at the future of the immediately contemporary world. His narrative technique, his bold, provocative and innovative style, the figure of his protagonist who looks much more like an anti-hero, create a literature voluntarily disengaged from explicit political discussion, to the benefit of the intimate and the anecdotal, where contemporary French society is carefully scrutinized.Our study therefore consists of an analysis of Beigbeder's works with the purpose of bringing out their civilizational and societal notions and exposing the ambiguity of the society of our time and its oppression of the human being, described in all its truth, with its baseness, malaise, and solitary but deeply greedy and absurd nature.

Year

Volume

43

Issue

1

Physical description

Dates

published
2019
online
2019-04-30

Contributors

References

  • Beigbeder, F. (1997). L’amour dure trois ans. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (1999). Nouvelles sous ecstasy. Paris: Gallimard.
  • Beigbeder, F. (2000). 99F. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (2001). Dernier inventaire avant liquidation. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (2003). Windows on the world. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (2005). L’Égoïste romantique. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (2007). L’Idéal. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (2009). Un roman français. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (2011). Premier bilan après l’apocalypse. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (2014). Oona et Salinger. Paris: Grasset et Fasquelle.
  • Beigbeder, F. (2015). Conversation d’un enfant du siècle. Paris: Grasset et Fasquelle.
  • Cormeau, N. (1947). Physiologie du roman. Bruxelles: la Renaissance du livre.
  • Doubrovsky, S. (2014). Monstre (extrait). Paris: Grasset. Retrieved January 10, 2019, from https://en.calameo.com/read/00357706945cd3144ec94.
  • Goldmann, L. (1971). La création culturelle dans la société moderne. Paris: Éditions Denoël.
  • Grell, I. (2014). L’autofiction. Paris: Armand Colin.
  • Houellebecq, M. (2010). La carte et le territoire. Paris: Flammarion.
  • Hubier, S. (2003). Littératures intimes. Les expressions du moi, de l’autobiographie à l’autofiction. Paris: Armand Colin.
  • Labouret, D. (2013). Littérature française du XXe siècle (1900 – 2010) (pp. 15-16). Paris: Armand Colin.
  • Sallenave, D. (1997). À quoi sert la littérature ? Paris: Textuel.
  • Todorov, T. (2007). La littérature en péril. Paris: Flammarion.
  • Viart, D. (2012). Les menaces de Cassandre et le présent de la littérature. In D. Viart, & Ph. Demanze (Eds.) Fins de la littérature ? Esthétiques et discours de la fin (pp. 9-33). Paris: Armand Colin.

Document Type

Publication order reference

YADDA identifier

bwmeta1.element.ojs-doi-10_17951_lsmll_2019_43_1_81-93
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