The Concept of the Edge in the Plays of Marina Carr

• Authors: María Del Mar González Chacón

Title variants

EN

The Concept of the Edge in the Plays of Marina Carr

• Languages of publication: PL

Abstracts

PL

Pojęcie krawędzi w sztukach Mariny Carr Kobiety w sztukach Mariny Carr zawsze są na krawędzi. Mai cierpi z powodu braku indywidualności i próbuje odrzucić ograniczenia narzucone przez rodzinę, Portia walczy o prawo do bycia matką która nie kocha swoich dzieci, Hester nie potrafi żyć poza trzęsawiskiem, które ją zabija, a Catherine próbuje żyć we śnie. Krawędź w sztukach Mariny Carr można zdefiniować jako przestrzeń umysłu, przestrzeń oporu w której bohaterki próbują zamieszkać. Krawędź oznacza margines na którym kobiety odnajdują własną przestrzeń. W późniejszych sztukach Mariny Carr mitologiczne, wiejskie krajobrazy ustępują miejsca współczesności. Przestrzenie miejskich napięć i konfliktów tworzą krawędzie, które są bardziej widoczne w przestrzeni dramatu, a transformacje dokonują się poprzez prowokacyjne dialogi i zachowania, wskazujące na nowe pojęcie krawędzi na której kobiety nadal poszukują swojego miejsca.

EN

Women in the plays of Marina Carr have always been on the edge of something. The Mai suffers from the loss of selfhood and tries to escape the limitations imposed by her family, Portia fights for her right to be a mother who does not love her children, Hester cannot live outside the geographical limits of the bog that is killing her and Catherine will struggle to live in a dream. The edge in Marina Carr’s theatre is a space that can be defined as a space of the mind, a space of resistance that her characters fight to inhabit. Edges constitute marginalized sites where women find a space of their own. In her latest plays the concept of the edge has been transferred to modern life and mythological rural landscapes have receded. Spaces of urban tension and conflict create edges that are now more visible on the stage through the dramatic space, and transformations occur in the form of provocative dialogues and behaviors that hint at a reinvented edge where women continue to search for their own spaces.

Keywords

PL

Marina Carr; irlandzki dramat; przestrzeń; tożsamość; krawędź; margines; granica; opór; zmiana; Marina Carr; irlandzki dramat; przestrzeń; tożsamość; krawędź; margines; granica; opór; zmiana

EN

Marina Carr; Irish Theatre; space; identity; edge; margin; border; resistance; change

• Publisher: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
• Journal: Roczniki Humanistyczne
• Year: 2020
• Volume: 68
• Issue: 11
• Pages: 95-110

Dates

published

2020-12-23

Contributors

author

María Del Mar González Chacón

• University of Oviedo, Spain

• https://orcid.org/0000-0001-9722-8033

References

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Identifiers

DOI

10.18290/rh206811-6