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2021 | 12 | 1 | 31-49

Article title

Aesthetic Historism and the Aesthetics of Tidibe: Ritual, Performance, and Contested Perceptions of “Skin” in the Papuan Highlands

Authors

Content

Title variants

EN
Aesthetic Historism and the Aesthetics of Tidibe: Ritual, Performance, and Contested Perceptions of “Skin” in the Papuan Highlands

Languages of publication

PL

Abstracts

PL
Historyzm estetyczny i estetyka Tidibe: rytuał, performance i kontrolowane postrzeganie „skóry” w papuaskich górach Artykuł skupia się na serii tańców wykonywanych w rytuale Fuyuge (Papua Nowa Gwinea), z których jeden prowokuje dyskusję na temat jego rodowej stosowności. Korzystam z tych przykładów, aby zbadać odrębność estetyki Fuyuge i rozumienia historii w porównaniu z estetyką zachodnią i zachodnim rozumieniem historycznym. Podczas gdy te drugie są geograficznie obszerne i relatywistyczne, te pierwsze wyobrażają sobie całą estetykę i formy historyczne jako wywodzące się ze świata Fuyuge.
EN
The article focuses on a series of dances performed in Fuyuge (Papua New Guinea) ritual, one of which provokes debate about its ancestral appropriateness. I use these examples to examine the distinctiveness of Fuyuge aesthetics and historical understanding as compared with Western aesthetics and historical understanding. Whereas the latter is geographically wide and relativistic the former imagines all aesthetics and historical forms as deriving from the Fuyuge world.

Year

Volume

12

Issue

1

Pages

31-49

Physical description

Dates

published
2021-03-30

Contributors

author
  • Brunel University London, UK

References

  • Auerbach, Erich. 1949. “Vico and aesthetic historism.” The Journal of Aesthetics and Art Criticism 8, no. 2: 110–118.
  • Bateson, Gregory. 1958 [1936]. Naven: a survey of the problems suggested by a composite picture of the culture of a New Guinea tribe drawn from three points of view. Stanford: Stanford University Press.
  • Berger, John. 1990. Ways of seeing. London: BBC and Penguin Books.
  • Fastré, Paul, n.d. “Manners and customs of the Fuyuges” [unpublished manuscript translated by M. Flower, O.C.D. and E.Chariot, O.C.D., de Boismenu College, Boroko – translation of Mouers et coutumes Foujougheses, 1937–1939].
  • Gell, Alfred. 1998. Art and agency: an anthropological theory. Oxford: Oxford University Press.
  • Hirsch, Eric. 2021. Ancestral presence: cosmology and historical experience in the Papuan highlands. London: Routledge.
  • Niles, Don. 1998. “Papua New Guinea: an overview.” In International encyclopedia of dance, edited by Selma Jeanne Cohen, 76-78. New York: Oxford University Press.
  • O’Hanlon, Michael. 1989. Reading the skin: adornment, display and society among the Wahgi. London: British Museum.
  • Pagden, Anthony. 1986. The fall of natural man: the American Indian and the origins of comparative ethnology. Cambridge: Cambridge University Press.
  • Price, Sally. 1989. Primitive art in civilised places. Chicago: University of Chicago Press.
  • Sahlins, Marshall. 2013. “Difference.” Oceania 83, no. 3: 281–294.
  • Schieffelin, Edward L. 1976. The sorrow of the lonely and the burning of the dancers. New York, St. Martins Press.
  • Strathern, Marilyn. 1988. The gender of the gift: Problems with women and problems with society in Melanesia. Berkeley, CA: University of California Press.
  • Strathern, Marilyn. 1979. “The self in self-decoration.” Oceania 49, no. 4: 241–257.
  • Williamson, Robert W. 1912. The Mafulu mountain people of British New Guinea. London: Macmillan.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_18290_rkult21121-3
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