The Theatre between the Scandal and Censorship

• Authors: Sasho Ognenovski

Abstracts

EN

The presented statement is part of the volume it covers a variety of responses from people who interact with art in different ways. The aim is to suggest to the participant of the contemporary world a new, personal perspective to rethink what is this area of our world that we label with art; thoughts with and without theoretical suggestions - reflections by the creators and reflections by the audience, teaching humility and uniqueness, perhaps - forming a fresh perspective on art.

Keywords

EN

art; creator; recipient

• Publisher: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
• Journal: Roczniki Kulturoznawcze
• Year: 2022
• Volume: 13
• Issue: 4
• Pages: 137-144

Dates

published

2022

Contributors

author

Sasho Ognenovski

• ZRUM “Perun Artis”, Bitola, North Macedonia

References

• Carlson, Allen. Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture. London: Routledge, 2000.
• Croce, Benedetto. Aesthetic as Science of Expression and General Linguistic. Translated by Douglas Ainslie. London: Peter Owen, 1953.
• Croce, Benedetto. Guide to Aesthetics. Translated by Patrick Romanell. Indianapolis: Library of Liberal Arts, 1965
• Danto, Arthur C. The Transfiguration of the Commonplace. Cambridge, MA: Harvard University Press, 1981
• Werbel, Amy. Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock. New York, NY: Columbia University Press, 2018.

Identifiers

DOI

10.18290/rkult22134.19

Biblioteka Nauki

31233882