Introduction aux rapports entre photographie et peinture chez Francis Bacon selon Deleuze (dans Logique de la Sensation)

• Authors: Corentin Heusghem

Title variants

EN

The relation between photography and painting for Francis Bacon according to Deleuze (in The Logic of Sensation)

Abstracts

EN

The aim of this article is to present a concise summary and review about the theses of Deleuze on the relations between painting and photography but also about his account of Bacon through the prism of this question in his book Francis Bacon : Logique de la sensation. This article could only be seen as an introduction and perhaps an invitation to read deeper studies about the important and numerous links between Deleuze's philosophy and art. 

Keywords

EN

art; painting/photography; Deleuze; sensation; representation

• Publisher: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
• Journal: Internetowy Magazyn Filozoficzny Hybris
• Year: 2021
• Volume: 53
• Issue: 2
• Pages: 56-78

Dates

published

2021

Contributors

author

Corentin Heusghem

• https://orcid.org/0000000206291959

References

• Deleuze, G., (1968). Différence et répétition, Paris: PUF (Presses Universitaires de France)
• Deleuze, G., (2002). Francis Bacon Logique de la sensation. Paris: Seuil
• Russell, J., (1994). Francis Bacon, Paris: Thames & Hudson

Identifiers

DOI

10.18778/1689-4286.53.03

Biblioteka Nauki

18105181