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2018 | 14 | 4 | 86-99

Article title

The Creative Process. A Case for Meaning-Making

Content

Title variants

Languages of publication

EN

Abstracts

EN
Since the beginning of time art-making has been a tool to express, preserve, and challenge the extant knowledge in society. Artists do this by finding or creatively constructing new understandings in society. An artist is able to do this through the medium he/she uses to relay the message of the artwork. The medium that an artist uses to express his/her artistic concept has an impact on the character that the artwork will take. The medium of expression forms but one of the many considerations that go through an artist’s mind when creating art. In the process of art-making, an artist seeks to create new meanings or re-imagine old ones by organizing materials and concepts. In so doing, he/she discovers novel ways to get ideas across, and thereby creates new interpretations of social phenomena. In this article, attention is given to meaning-making as a conscious and iterative component of creating art. From a series of in-depth interviews, the authors analyze the inward processes that occur within six artists’ creative praxes and how these lead their construction of meaning. Attention is also paid to how the artists manipulate concepts and how they construct and deconstruct their understandings of these concepts in the course of their creative endeavors.

Year

Volume

14

Issue

4

Pages

86-99

Physical description

Dates

published
2019-01-08

Contributors

  • Phokeng T. Setai, Jan K. Coetzee, Leane Ackermann - University of the Free State, South Africa
  • University of Zurich, Switzerland
  • University of Lodz, Poland
  • University of the Free State, South Africa

References

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  • Clandinin, Jean D. and Michael F. Connelly. 2000. Narrative Inquiry: Experience and Story in Qualitative Researchers. San Francisco: Library of Congress.
  • Dreher, Jochen. 2003. “The Symbol and the Theory of the Lifeworld: The Transcendence of the Lifeworld and Their Overcoming by Signs and Symbols.” Human Studies 26:141-163.
  • Flick, Uwe. 2009. An Introduction to Qualitative Research. London: Sage.
  • Hickson, Helen. 2016. “Becoming a Critical Narrativist: Using Critical Reflection and Narrative Inquiry as Research Methodology.” Qualitative Social Work 15(3):380-391.
  • Koppl, Roger. 2010. “The Social Construction of Expertise.” Institute for Forensic Science Administration 47(2014): 220-226.
  • O’Leary, Zina. 2004. The Essential Guide to Doing Research. London: Sage.
  • Rand, Ayn. 1957. Atlas Shrugged. New York: Penguin Group.
  • Rose, Gillian. 2012. Visual Methodologies: An Introduction to Research with Visual Materials. Thousand Oaks, CA: Sage.
  • Spector-Mersel, Gabriela. 2010. “Narrative Research: Time for a Paradigm.” Narrative Inquiry 20(1):204-223.
  • Thought Co. 2017. The Meaning of Ubuntu: Connectedness Between People. Retrieved March 03, 2017 (https://www.thoughtco.com/the-meaning-of-ubuntu-43307).
  • Vogler, Christopher. 1998. The Writer’s Journey: Mythic Structure for Writers. Venice, CA: M. Wiese Productions.
  • White, Tabitha R. and Anne-Marie Hede. 2008. “Using Narrative Inquiry to Explore the Impact of Art on Individuals.” The Journal of Arts Management, Law, and Society 38(1):19-35.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_18778_1733-8077_14_4_06
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