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2019 | 9 | 356-373

Article title

Don DeLillo’s White Noise: A Virilian Perspective

Content

Title variants

Languages of publication

EN

Abstracts

EN
Don DeLillo’s White Noise depicts a world of rapid techno-scientific and economical changes. Paul Virilio’s concepts of dromology and speed, as well as his notions of accident and technology, seem to be the most relevant in order to examine a novel centrally concerned with change, speed and technology. This article first offers an analysis of White Noise in the light of Virilio’s concept of integral accident in relation to the negative consequences brought about by industrial and technological progress. This is followed by a discussion of the relevance to the novel of Virilio’s theories about architecture and space. Finally, Virilio’s theories about the replacement of conventional war with pure and info wars are discussed in the context of the central event of the novel. Reading the American writer through the lens of the French theorist can shed light on the enduring relevance of both.

Year

Issue

9

Pages

356-373

Physical description

Dates

published
2019-11-23

Contributors

  • University of Isfahan
  • Qeshm Branch, Islamic Azad University

References

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  • Armitage, John. “The Kosovo W@r Did Take Place.” Virilio Live: Selected Interviews. Ed. John Armitage. London: Sage, 2001. 167–95. Print.
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  • Cooper, Simon. Technoculture and Critical Theory: In the Service of the Machine? London: Routledge, 2002. Print.
  • DeLillo, Don. Underworld. New York: Scribner, 1997. Print.
  • DeLillo, Don. White Noise. New York: Penguin, 1985. Print.
  • Devetak, Richard. “After the Event: Don DeLillo’s White Noise and September 11 Narratives.” Review of International Studies 35 (2009): 795–815. Print.
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  • Joubert, Dominique, and Christian Carlut. “Paul Virilio.” Ed. John Armitage. Virilio Live: Selected Interviews. London: Sage, 2001. 121– 27. Print.
  • Kittler, Friedrich. “The Information Bomb: A Conversation.” Virilio Live: Selected Interviews. Ed. John Armitage. London: Sage, 2001. 97–109. Print.
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  • Luke, Timothy, and Gearoid O Tuathail. “Thinking Geopolitical Space: The Spatiality of War, Speed and Vision in the work of Paul Virilio.” Thinking Space. Ed. Mike Crang and Nigel Thrift. London: Routledge, 2000. 360–79. Print.
  • Maltby, Paul. “The Romantic Metaphysics of Don DeLillo.” Bloom’s Modern Critical Views: Don DeLillo. Ed. Harold Bloom. Philadelphia: Chelsea, 2003. 51–69. Print.
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  • Moraru, Christian. “Consuming Narratives: Don DeLillo and the ‘Lethal’ Reading.” Blooms Modern Critical Views: Don DeLillo. Ed. Harold Bloom. Philadelphia: Chelsea, 2003. 89–105. Print.
  • Olster, Stacey. “White Noise.” The Cambridge Companion to Don DeLillo. Ed. John N. Duvall. Cambridge: Cambridge UP, 2008. 79–93. Print.
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  • Phillips, Dana. “Don DeLillo’s Postmodern Pastoral.” Bloom’s Modern Critical Views: Don DeLillo. Ed. Harold Boom. Philadelphia: Chelsea, 2003. 117–27. Print.
  • Redhead, Steve, ed. The Paul Virilio Reader. New York: Columbia UP, 2004. Print.
  • Ruby, Andreas. “The Time of the Trajectory.” Virilio Live: Selected Interviews. Ed. John Armitage. London: Sage, 2001. 58–65. Print.
  • Virilio, Paul. Bunker Archeology. Trans. George Collins. New York: Princeton Architecture, 1994. Print.
  • Virilio, Paul. Open Sky. Trans. Julie Rose. London: Verso, 1997. Print.
  • Virilio, Paul. Politics of the Very Worst. New York: Semiotext(e), 1999. Print.
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  • Virilio, Paul. The Information Bomb. Trans. Chris Turner. London: Verso, 2005. Print.
  • Virilio, Paul. The Lost Dimension. Trans. Daniel Moshenberg. New York: Semiotext(e), 1991. Print.
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Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_18778_2083-2931_09_22
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