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2021 | 11 | 353-368

Article title

Mesmerization with the Lights On: Poe’s “The Facts in the Case of M. Valdemar”

Authors

Content

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Abstracts

EN
Edgar Allan Poe’s eerie short story “The Facts in the Case of M. Valdemar” is a particularly noteworthy example of the sublime, a psychological state in which one is overwhelmed by the magnitude of that which is perceived by the mind. Valdemar exemplifies the sublime in that his death has somehow been suspended in time because he was under hypnosis as part of a medical experiment at the moment of his passing. However, the story also draws particular attention to the means by which insight into the nature of death is acquired by the hypnotist who narrates the story. For a more comprehensive understanding of the sublime experience, one may turn to the psychoanalytic theory of Jacques Lacan and the postmodernist work of Slavoj Žižek, which lead to the conclusion that the dramatic chain of events in “Valdemar” is an example of the sliding signifier, and, moreover, that the instability of the signifier may explain the sublime effect.

Year

Issue

11

Pages

353-368

Physical description

Dates

published
2021

Contributors

author
  • Guangdong University of Foreign Studies in Guangzhou

References

  • Adorno, Theodor. Aesthetic Theory. Translated by Robert Hullot-Kentor. Bloomsbury, 1997.
  • Barthes, Roland. “Textual Analysis of a Tale by Edgar Allan Poe.” Translated by Donald G. Marshall. Poe Studies, vol. 10, no. 1, 1977, pp. 1–12. The Edgar Allan Poe Society of Baltimore, http://www.eapoe. org/pstudies/ps1970/p1977101.htm, accessed 28 Aug. 2020. https://doi.org/10.1111/j.1754-6095.1977.tb00029.x
  • Derrida, Jacques. Speech and Phenomena. Translated by David B. Allison. Northwestern UP, 1979.
  • Homer, Sean. Jacques Lacan. Routledge, 2005. https://doi.org/10.4324/9780203347232
  • Kant, Immanuel. Critique of Judgement. Translated by James Creed Meredith. Oxford UP, 2007.
  • Lacan, Jacques. “Seminar on ‘The Purloined Letter.’” Écrits, translated by Bruce Fink, W. W. Norton, 2006, pp. 6–48.
  • Lacan, Jacques. “The Instance of the Letter in the Unconscious.” Écrits, translated by Bruce Fink, W. W. Norton, 2006, pp. 412–41.
  • Lacan, Jacques. “The Mirror Stage as Formative of the I Function.” Écrits, translated by Bruce Fink, W. W. Norton, 2006, pp. 75–81.
  • Lacan, Jacques. “The Situation of Psychoanalysis and the Training of Psychoanalysts in 1956.” Écrits, translated by Bruce Fink, W. W. Norton, 2006, pp. 384–411.
  • Poe, Edgar Allan. “The Facts in the Case of M. Valdemar.” The Collected Works of Edgar Allan Poe Volume III: Tales and Sketches 1843–1849, edited by Thomas Ollive Mabbott, Harvard UP, 1978, pp. 1228–44. The Edgar Allan Poe Society of Baltimore, http://www.eapoe.org/works/mabbott/tom3t027.htm accessed 28 Aug. 2020.
  • Poe, Edgar Allan. “The Philosophy of Composition.” Graham’s Magazine, vol. 28, no. 4, 1846, pp. 163–67. The Edgar Allan Poe Society of Baltimore, http://www.eapoe.org/works/essays/philcomp.htm accessed 28 Aug. 2020.
  • Shaw, Philip. The Sublime. Routledge, 2006. https://doi.org/10.4324/ 9780203962732
  • Shen, Dan. “Edgar Allan Poe’s Aesthetic Theory, the Insanity Debate, and the Ethically Oriented Dynamics of ‘The Tell-Tale Heart.’” Nineteenth-Century Literature, vol. 63, no. 3, 2008, pp. 321–45. https://doi.org/10.1525/ncl.2008.63.3.321
  • Žižek, Slavoj. The Sublime Object of Ideology. Verso, 1989.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2032696

YADDA identifier

bwmeta1.element.ojs-doi-10_18778_2083-2931_11_22
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