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Journal

2021 | 11 | 531-548

Article title

General Overview of the Three-dimensional Architectural Models as Acroteria in Medieval Georgia

Content

Title variants

Languages of publication

Abstracts

EN
Medieval architecture of the South Caucasus developed a unique tradition of making acroteria shaped as three-dimensional models of churches. Since the church-shaped acroteria have never been thoroughly explored in Georgia, this paper focuses on examples surviving in the region. Special attention is paid to analyzing the architectural and sculptural aspects of the acroteria, as well as their function. This paper aims at discussing both the formal and functional aspects of the church-shaped acroteria from Georgia. It is intended to explore what kind of church models were usually created in Georgia, how they were designed, and to what extent they resemble or differ from the real architecture. Typically, the model erected on the top of the gables of a church was made of stone, though glazed ceramic acroterion can be found as well, such as that of the Alaverdi Cathedral in Georgia. As the research has shown, the models do not replicate real architecture; they represent abridged images of actual buildings, repeating only their general layout (cross-domed or, rarely, single-nave structure) and a selected number of elements that were evidently considered essential or were typical elements of the architectural repertoire of the period in which the acroterion were created.

Journal

Year

Volume

11

Pages

531-548

Physical description

Dates

published
2021

Contributors

  • George Chubinashvili National Research Centre, for Georgian Art History and Heritage Preservation, Department of Ancient and Medieval Art, Tbilisi, Georgia; University of Fribourg, Department of Art History and Archaeology, Fribourg, Switzerland

References

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  • Beridze V., Katskhis tadzari, “Ars Georgica” 3, 1950, p. 53–94.
  • Beridze V., Samtskhis khurotmodzgvreba, Tbilisi 1955.
  • Carile M.C., Buildings in their Patrons’ Hands? The Multiform Function of Small Size Models between Byzantium and Transcaucasia, “Kunsttexte.de” 3, 2014, p. 1–14.
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  • Gedevanishvili E., Cult and Image of St. George in Medieval Georgian Art, [in:] Cultural Interactions in Medieval Georgia, ed. M. Bacci, T. Kaffenberger, M. Studer-Karlen, Wiesbaden 2018 [= Scrinium Friburgense, 41], p. 143–168. Gverdtsiteli R., Lorpinis sakhuravi, Tbilisi 1991.
  • Ieni G., La Rappresentazione dell’oggetto Architettonico nell’arte Medievale con Riferimento Particolare al Modelli di Architettura Caucasici, [in:] Atti del Primo Simposio Internazionale di Arte Armena (Bergamo, 28–30 Giugno 1975), ed. G. Ieni, L.B. Zekiyan, Venezia 1978, p. 247–264.
  • Klinberg E.S., Compressed Meaning. The Donor’s Model in Medieval Art around 1300, Turnhout 2009.
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  • Silogava V., Eklesiis modeli akhaldabidan da mis kedlebze amokvetili tsartsera, “თსუ ახალციხის ფილიალის შრომების კრებული” / “TSU akhaltsikhis pilialis shromebis krebuli” 2, 2000, p. 67–81.
  • Silogava V., Eklesiis modeli saparidan khurotmodzgvris gamosakhulebit da tsartserit, [in:] Meskheti: istoria da tanamedroveoba, ed. M. Beridze, Akhaltsikhe 2000, p. 29–35.
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  • Stachowiak D., Church Models in the Byzantine Culture Circle and the Problem of their Function, [in:] Sacrum et profanum. Haec studia amici et collegae Andrei B. Biernacki septuaginto dicant, Poznań 2018 [= Novae. Studies and Materials, 6], p. 243–256.
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Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2027686

YADDA identifier

bwmeta1.element.ojs-doi-10_18778_2084-140X_11_27
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