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• Authors: Jan Zieliński

Abstracts

EN

The paper discusses the importance of time, in particular its flow and capture, in the work of selected contemporary artists. The first part is devoted to America’s Ed Kienholz and his Barney’s Beanery (1965), the second one to a Swiss-American film-maker Christian Marclay and his experimental, 24-hour-long film, The Clock (2010).

Keywords

EN

Barney’s Beanery; The Clock; Ed Kienholz; René Magritte; time in film; Christian Marclay

• Publisher: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
• Journal: Załącznik Kulturoznawczy
• Year: 2023
• Volume: 10
• Issue: 10
• Pages: 661-668

Dates

published

2023

Contributors

author

Jan Zieliński

• https://orcid.org/0000000207653536

References

• Pollakówna Joanna, Wieczność dopełni, wybór i przedmowa J. Zieliński; Odnalezione, wybór i posłowie A. Szulc-Woźniak, PIW, Warszawa 2023.
• Zalewski Daniel, The Hours. How Christian Marclay Created the Ultimate Digital Mosaic. „The New Yorker”, 4.03.2012
• Hudson Mark, “It Became a Nightmare”: Artist Christian Marclay on Global Smash. The Clock – and His New Work Doors. Interview, The Guardian, 31.08.2023, https://www.theguardian.com/artanddesign/2023/aug/31/christian-marclay-doors-the--clock-lockdown (dostęp 6.10.2023).
• Wyatt Edward, In Sunny Southern California, a Sculpture Finds Its Place in the Shadows, New York Times, 2.10.2007, https://www.nytimes.com/2007/10/02/arts/desi-gn/02dodg.html (dostęp 4.10.2023).

Identifiers

DOI

10.21697/zk.2023.10.30

Biblioteka Nauki

56327378