Introduction: Global Shakespeare for Anglophone Audiences

• Authors: Sarah Dustagheer , Aleksandra Sakowska
• Languages of publication: EN
• Publisher: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
• Journal: Multicultural Shakespeare: Translation, Appropriation and Performance
• Year: 2014
• Volume: 11
• Issue: 26
• Pages: 9-16

Dates

published

2014-12-30

Contributors

author

Sarah Dustagheer

• University of Kent

author

Aleksandra Sakowska

• London Shakespeare Centre, King’s College London

References

• Bennett, Susan, and Christie Carson, Eds. Shakespeare Beyond English: A Global Experiment. Cambridge: Cambridge University Press, 2013.
• Escolme, Bridget. “Decentring Shakespeare: A Hope for Future Connections.” Shakespeare Beyond English. Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 308-312.
• Hoenselaars, A.J. “Translation Futures: Shakespearians and the Foreign Text.” Shakespeare Survey 62 (2009): 273-282.
• Laera, Margherita. “In Praise of Translation: On Watching Shakespeare in a Foreign Language.” Web. Jan 2014. https://www.bloggingshakespeare.com/year-of-shakespeare-in-praise-of-translation
• Massai, Sonia. “Art of Darkness: Staging Giulio Cesare at the Globe Theatre.” Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 92-100.
• Sanders, Julie. “Creative Exploitation and Talking Back: Renegade Theatre’s The Winter’s Tale or Ìtàn Ògìnìntìn (‘Winter’s Tales’).” Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 241-250.
• Wells, Stanley. “Foreword.” A Year of Shakespeare. Ed. P. Edmondson, P. Prescott and E. Sullivan. London: Bloomsbury Arden Shakespeare, 2013. xxiii-xxv.
• Wiles, David. A Short History of Western Performance Space. Cambridge: Cambridge University Press, 2003.

Identifiers

DOI

10.2478/mstap-2014-0002