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2012 | 9 | 24 | 26-33

Article title

Polish "Macbeth" and the Middle East Crisis

Content

Title variants

Languages of publication

EN

Abstracts

Keywords

Year

Volume

9

Issue

24

Pages

26-33

Physical description

Dates

published
2012-12-28

Contributors

  • British and Commonwealth Studies Department, University of Lodz, Poland

References

  • Anon., “Szekspir pod mostem,” E-teatr, 16 July 2008. http://www.e-teatr.pl/pl/artykuly/58003.html?komentarz=18717
  • Collett, Christopher. “Macbeth: Who Is That Bloodied Man?” Metro. http://www.metro.co.uk/metrolife/edfest/61838-macbeth-who-is-that-bloodied-man#ixzz1oU515ICF
  • Comerford, Patrick. “Poems for Lent (1): ‘Ash Wednesday’, TS Eliot.” 22 February 2012. Patrick Comerford Blog. http://revpatrickcomerford.blogspot.com.au/2012/02/poems-for-lent-1-ash-wednesday-ts-eliot.html
  • Dekel, Ayelet. “Blood on His Hands: Shakespeare in the Street”. Midnight East 13 June 2009. http://www.midnighteast.com/mag/
  • Drewniak, Łukasz, “Wirusy MacBetha,” Foyer 1 (2005), E-teatr, available at http://www.e-teatr.pl/pl/artykuly/44455,druk.html
  • Eliot, T.S. Collected Poems, 1909-1962. The Centenary Edition. Harcourt Brace Jovanovich, 1991.
  • Fisher, Mark. “Stilted performance”. The List (581) 1 August 2007. http://edinburghfestival.list.co.uk/article/2599-stilted-performance/
  • Gibińska, M. and J. Limon., eds., Hamlet West-East, Gdansk: Theatrum Gedanense Foundation, 1998.
  • Isherwood, Charles, “A Bunny, Too, Can Strut and Fret Upon This Stage,” New York Times. http://theater.nytimes.com/2008/06/23/theater/reviews/23macb.html?8dpc
  • Kirwan, Peter. “Macbeth: Who Is That Bloodied Man? @ The Square2, National Theatre”. The Bardathon 11 August 2008. http://blogs.warwick.ac.uk/pkirwan/tag/macbeth/
  • Komorowski, Jaroslaw, Piramida zbrodni. Makbet w kulturze polskiej 1870-1989, Warszawa, Instytut Sztuki PAN: 2002.
  • Kott, Jan, Szekspir wspolczesny, Warszawa: PIW, 1965.
  • Krakowska, Joanna. “Shakespeare’s Paradoxical Victory: the 1990s.” Theatre Research International 21 (1996): 164-170.
  • Kujawinska-Courtney, Krystyna. “Der polnische Prinz: Rezeption und Appropriation des Hamlet in Polen”. Shakespeare-Jahrbuch (1995), 82-92.
  • Kujawinska-Courtney, Krystyna and Katarzyna Kwapisz Williams. “‘The Polish Prince’: Studies in Cultural Appropriation of Shakespeare’s Hamlet in Poland.” Hamlet Works. Ed. B.W. Kliman. USA, 2008. www.hamletworks.org
  • Miłkowski, Tomasz, “Makbet na kazdej scenie,” Przegląd 14/10.04 (2005). http://www.e-teatr.pl/pl/artykuly/10944.html
  • Mościcki, Tomasz, “Totalne Zmakbecenie,” Odra 12 (2005). http://fotomost.acn.waw.pl/teatrtxt/Zmakbecenie.htm
  • Ryzik, Melena “A Polish Macbeth to go to Brooklyn,” The New York Times, 11.06.2008. http://www.nytimes.com/2008/06/13/arts/13iht-play.1.13637969.html
  • Taylor, James C. “Many faces of Macbeth. Shakespeare's ‘Scottish Play’ meets an array of modern interpretations,” The Christian Science Monitor, 2 May 2008. http://www.csmonitor.com/2008/0502/p13s01-almp.html
  • Wyżyńska, Dorota, “Makbet jedzie do Nowego Jorku,” Gazeta Wyborcza – Stołeczna 299 (2004). http://www.teatry.art.pl/!recenzje/macbeth_jar/mjdno.htm

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_2478_v10224-011-0013-6
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