Jerzy Ronard Bujański – powojenne pół sezonu w Starym Teatrze

• Authors: Tadeusz Kornaś

Title variants

Jerzy Ronard Bujański - postwar half-season in Stary Teatr

Jerzy Ronard Bujański – powojenne pół sezonu w Starym Teatrze

Jerzy Ronard Bujański – powojenne pół sezonu w Starym Teatrze

• Languages of publication: PL

Abstracts

RU

Jerzy Ronard Bujański was the first director of the Old Theatre after the Second World War (from the end of January to August 1945). The article presents turbulent beginnings of this management (the war was still in progress). Besides, the first premiere of the Old Theatre – Mąż doskonały by Jerzy Zawieyski – directed by Bujański, stage design by Andrzej Pronaszko. This performance referred to the character of Job from the Old Testament and was related to the Warsaw Uprising context. This show was one of the most important artistic events of the first season after the war. Next to the Old Theatre, Bujański established the Studio, which educated about one hundred people. The teachers included: Juliusz Osterwa and Tadeusz Kantor, while the students were, for example Tadeusz Łomnicki, Halina Mikołajska, Andrzej Hiolski, Kazimierz Mikulski and Jerzy Nowosielski. In August 1945, Jerzy Ronard Bujański was dismissed as a result of a conflict with the city authorities. However, during the time of his management, the theatre gained a high artistic position.

EN

Jerzy Ronard Bujański was the first director of the Old Theatre after the Second World War (from the end of January to August 1945). The article presents turbulent beginnings of this management (the war was still in progress). Besides, the first premiere of the Old Theatre – Mąż doskonały by Jerzy Zawieyski – directed by Bujański, stage design by Andrzej Pronaszko. This performance referred to the character of Job from the Old Testament and was related to the Warsaw Uprising context. This show was one of the most important artistic events of the first season after the war. Next to the Old Theatre, Bujański established the Studio, which educated about one hundred people. The teachers included: Juliusz Osterwa and Tadeusz Kantor, while the students were, for example Tadeusz Łomnicki, Halina Mikołajska, Andrzej Hiolski, Kazimierz Mikulski and Jerzy Nowosielski. In August 1945, Jerzy Ronard Bujański was dismissed as a result of a conflict with the city authorities. However, during the time of his management, the theatre gained a high artistic position.

DE

Jerzy Ronard Bujański was the first director of the Old Theatre after the Second World War (from the end of January to August 1945). The article presents turbulent beginnings of this management (the war was still in progress). Besides, the first premiere of the Old Theatre – Mąż doskonały by Jerzy Zawieyski – directed by Bujański, stage design by Andrzej Pronaszko. This performance referred to the character of Job from the Old Testament and was related to the Warsaw Uprising context. This show was one of the most important artistic events of the first season after the war. Next to the Old Theatre, Bujański established the Studio, which educated about one hundred people. The teachers included: Juliusz Osterwa and Tadeusz Kantor, while the students were, for example Tadeusz Łomnicki, Halina Mikołajska, Andrzej Hiolski, Kazimierz Mikulski and Jerzy Nowosielski. In August 1945, Jerzy Ronard Bujański was dismissed as a result of a conflict with the city authorities. However, during the time of his management, the theatre gained a high artistic position.

Keywords

PL

Jerzy Ronard Bujański; Stary Teatr; Jerzy Zawieyski; teatr po drugiej wojnie światowej; recenzja

RU

Jerzy Ronard Bujański; Stary Teatr; Jerzy Zawieyski; teatr po drugiej wojnie światowej; recenzja; Jerzy Ronard Bujański; Stary Teatr; Jerzy Zawieyski; teatr po drugiej wojnie światowej; recenzja

EN

Jerzy Ronard Bujański; Stary Teatr; Jerzy Zawieyski; teatr po drugiej wojnie światowej; recenzja

DE

Jerzy Ronard Bujański; the Old Theatre; Jerzy Zawieyski; theatre after the Second World War; review; Jerzy Ronard Bujański; the Old Theatre; Jerzy Zawieyski; theatre after the Second World War; review

• Publisher: Uniwersytet Komisji Edukacji Narodowej w Krakowie
• Journal: Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
• Year: 2019
• Volume: 19
• Pages: 166-177

Dates

published

2019-12-25

Contributors

author

Tadeusz Kornaś

• Uniwersytet Jagielloński

• https://orcid.org/0000-0002-1114-6393

References

• Bujański J.R., Chwila osobliwa (Przed podniesieniem kurtyny), „Front Teatralny” 1945, nr 1, s. 2–4.
• Bujański J.R., Starego Teatru druga młodość, Kraków 1985.
• Fik M., Kultura polska po Jałcie. Kronika lat 1944–1981, London 1989, s. 49.
• Głosy prasy, „Front Teatralny” 1945, nr 3, s. 35–36; nr 4, s. 26–27.
• Kałużyński Z., Problemy powojennego teatru w Polsce, „Twórczość” 1947, nr 10, s. 27–60.
• Kruczkowski L., Mesjanizm odgrzewany, „Odrodzenie” 1945, nr 20, s. 2.
• Księga Hioba, przeł. z hebrajskiego C. Miłosz, Kraków 1998.
• Kudliński T., Człowiek nowy – z bólu zrodzony, „Tygodnik Powszechny” 1945, nr 3.
• Misiorny M., Teatry dramatyczne Ziem Zachodnich 1945–1960, Poznań 1963.
• Mrozińska S., Karabin i maska, Łódź 1964.
• Orzechowski E., Stary Teatr i Studio, Kraków 1974.
• Pronaszko A., Zapiski scenografa. Wspomnienia, artykuły, listy, oprac. J. Timoszewicz, Warszawa 1976.
• Słownik biograficzny teatru polskiego, t. 3: 1910–2000, vol. 1: A–Ł, Warszawa 2017, s. 125–127.
• Wyka K., Pozycja Krakowa, „Twórczość” 1945, nr 2.
• Zawieyski J., Wyznanie autora (Przed premierą „Męża doskonałego”), „Front Teatralny” 1945, nr 1, s. 5–8.

Identifiers

DOI

10.24917/20811853.19.11