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Journal

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

2019 | 19 | 194-208

Article title

SocGoldoni. “Il servitore di due padroni” nell’interpretazione di Krystyna Skuszanka

Authors

Paulina Kwaśniewska-Urban

Content

Full texts:
6832-6362.pdf

Title variants

SocGoldoni. 'The Servant of Two Masters' as interpreted by Krystyna Skuszanka
SocGoldoni. “Il servitore di due padroni” nell’interpretazione di Krystyna Skuszanka
SocGoldoni. “Il servitore di due padroni” nell’interpretazione di Krystyna Skuszanka

Languages of publication

PL

Abstracts

PL
Niniejszy artykuł traktuje o realizacji scenicznej komedii Carla Goldoniego Sługa dwóch panów wystawionej w Teatrze Ludowym w Nowej Hucie. Spektakl wyreżyserowany przez Krystynę Skuszankę zostaje osadzony w historii polskiej recepcji komedii wenecjanina. Przedstawiona w artykule analiza uwag i komentarzy publikowanych przez polskich recenzentów, którzy Sługę widzieli w Nowej Hucie w marcu 1957 roku, oraz włoskich recenzentów, którzy oglądali spektakl kilka miesięcy później na weneckim Biennale, jest próbą ukazania zasadniczych różnic w odbiorze przedstawienia oraz odpowiedzi na pytanie o ich przyczynę. W tak krótkiej formie nie sposób przyjrzeć się wszystkim zawiłościom odczytywania Goldoniego w Polsce w latach pięćdziesiątych i sześćdziesiątych XX wieku przez pryzmat (anty)ideologiczny ani nakreślić szerszy kontekst historyczno-kulturowy, tekst jest wycinkiem pogłębionych badań prowadzonych przez autorkę.
RU
The following paper is devoted to the performance of Carlo Goldoni’s comedy The Servant of Two Masters, which was staged in Teatr Ludowy (the Ludowy Theatre) in Nowa Huta. The play, which was directed by Krystyna Skuszanka, is set in the history of the Polish reception of Goldoni’s comedy. The analysis of remarks and comments, which were published by Polish reviewers who watched the play in Nowa Huta in 1957, as well as Italian reviewers who saw the performance a few months later in the Venetian Biennale, is an attempt at showing some basic discrepancies regarding the reception of the play and answering the question about the cause of such differences. In such a short form it is not possible to investigate all the intricacies of reading Goldoni in Poland in the period 50s–60s from an anti-ideological perspective, or to determine a broader historical-cultural context. The paper is only a section of in-depth research conducted by the author.
EN
The following paper is devoted to the performance of Carlo Goldoni’s comedy The Servant of Two Masters, which was staged in Teatr Ludowy (the Ludowy Theatre) in Nowa Huta. The play, which was directed by Krystyna Skuszanka, is set in the history of the Polish reception of Goldoni’s comedy. The analysis of remarks and comments, which were published by Polish reviewers who watched the play in Nowa Huta in 1957, as well as Italian reviewers who saw the performance a few months later in the Venetian Biennale, is an attempt at showing some basic discrepancies regarding the reception of the play and answering the question about the cause of such differences. In such a short form it is not possible to investigate all the intricacies of reading Goldoni in Poland in the period 50s–60s from an anti-ideological perspective, or to determine a broader historical-cultural context. The paper is only a section of in-depth research conducted by the author.
DE
The following paper is devoted to the performance of Carlo Goldoni’s comedy The Servant of Two Masters, which was staged in Teatr Ludowy (the Ludowy Theatre) in Nowa Huta. The play, which was directed by Krystyna Skuszanka, is set in the history of the Polish reception of Goldoni’s comedy. The analysis of remarks and comments, which were published by Polish reviewers who watched the play in Nowa Huta in 1957, as well as Italian reviewers who saw the performance a few months later in the Venetian Biennale, is an attempt at showing some basic discrepancies regarding the reception of the play and answering the question about the cause of such differences. In such a short form it is not possible to investigate all the intricacies of reading Goldoni in Poland in the period 50s–60s from an anti-ideological perspective, or to determine a broader historical-cultural context. The paper is only a section of in-depth research conducted by the author.

Keywords

PL
DE
RU
EN

Publisher

Uniwersytet Komisji Edukacji Narodowej w Krakowie

Journal

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

Year

2019

Volume

19

Pages

194-208

Physical description

Dates

published
2019-12-25

Contributors

author
Paulina Kwaśniewska-Urban
  • Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie

References

  • Brahmer M., Venezia nella vita teatrale polacca del Settecento, [in:] Venezia e la Polonia nei secoli dal XVII al XIX, a c. di L. Cini, Venezia 1963, p. 19–30.
  • Even-Zohar I., The position of translated literature within the literary polysystem, “Poetics Today” 1990, n. 1, p. 45–51.
  • Gallo V., Nota sulla fortuna, [in:] Il servitore di due padroni, C. Goldoni, Venezia 2011, p. 271–384.
  • Got J., Antreprener w kłopotach, czyli Dwa teatry Wojciecha Bogusławskiego, “Pamiętnik Teatralny” 1966, n. 1–4 (57–60), p. 277–341.
  • Klimowicz M., Roszkowska W., La commedia dell’arte alla corte di Augusto III di Sassonia (1748–1756), Venezia 1988.
  • Korzeniowski B., Komedia dell’arte w Warszawie, “Pamiętnik Teatralny” 1954, n. 3–4 (11–12), p. 29–56.
  • Kosiński D., O teatr naprawdę ludowy. Krystyna Skuszanka i Jerzy Krasowski w Nowej Hucie 1955–1962, [in:] Teatr w Nowej Hucie, Kraków 2013, p. 63–97.
  • Lewański J., Komedia dell’arte w Warszawie. Pięć nieznanych argumentów warszawskich. Polski argument „Il marito tormentato”, “Pamiętnik Teatralny” 1965, n. 1 (53), p. 62–77.
  • Lewański J., Miscellanea z czasów saskich (1706–1760), “Pamiętnik Teatralny” 1965, n. 1 (53), p. 12–19.
  • Recensioni
  • ---
  • Bertolini A., Così i polacchi di Nova Huta nel “Serviotre di due padroni”, “Il Gazzzettino” 17 VII 1957.
  • Damerini G., Goldoni onorato da complessi teatrali stranieri al XVI Festival internazionale della Biennale, “Il dramma” 1957, n. 251–252.
  • Geron G., Goldoni polacco in chiave espressionistica, “Gazzettino Sera” 17–18 VII 1957.
  • Greń Z., Bawcie się, “Życie Literackie” 12 VI 1957.
  • Jędrzejczyk O., Spór istnieje, “Gazeta Krakowska” 22 III 1957.
  • Lasocka B., Teatr lwowski w latach 1800–1842, Warszawa 1967.
  • Mangini N., Rassegna goldoniana, “Lettere italiane” 1958, n. 1.
  • Otwinowski S., Wenecka próba, “Życie Literackie” 1957, n. 32.
  • Pomianowski J., Wenecja i Skierniewice, “Świat” 1957, n. 43.
  • Ritt J., Trzy razy Goldoni, “Trybuna Ludu” 12 VI 1957.
  • Vogler H., Przygody w teatrze, Kraków 1960, p. 241–243.
  • Zbijewska K., Arrivederci, Venezia, “Dziennik Polski” 20 VII 1957.
  • Zbijewska K., Polski teatr w Palazzo Grassi, “Dziennik Polski” 17 VII 1957.
  • Zbijewska K., Włosi oklaskują „Sługę dwóch panów”, “Dziennik Polski” 18 VII 1957.

Document Type

Publication order reference

Identifiers

DOI
10.24917/20811853.19.13

YADDA identifier

bwmeta1.element.ojs-doi-10_24917_20811853_19_13
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