„Kartoteka” w Grotesce – wyimek z twórczości Zofii i Władysława Jaremów

• Authors: Grzegorz Eckert

Title variants

'Kartoteka' in the Grotesa Theatre – a fragment of Zofia and Władysław Jarema’s work

„Kartoteka” w Grotesce – wyimek z twórczości Zofii i Władysława Jaremów

„Kartoteka” w Grotesce – wyimek z twórczości Zofii i Władysława Jaremów

• Languages of publication: PL

Abstracts

RU

Zofia and Władysław Jarema – the founders of the Groteska Theatre – from the beginning of their artitistic work in Krakow distanced themselves from perceiving the theatre of dolls as exclusively children-oriented. By gathering around themselves a group of distinguished artists, they consistently and reasonably built up the repertoire and Groteska stage for the adult audience. In their search, they included Konstanty Ildefons Gałczyński, Sławomir Mrożek, and Tadeusz Różewicz. This paper is an attempt at analysing and reconstructing the performance of Kartoteka (a drama by Różewicz), which was staged in Groteska Theatre (interpretation by Zofia Jarema, stage design by Kazimierz Mikulski) a few months after its Warsaw preview in the Drama Theatre. The author of the paper also discusses the type of influence which this performance and the Jaremas’ activity in general had on the contemporary theatre of dolls.

EN

Zofia and Władysław Jarema – the founders of the Groteska Theatre – from the beginning of their artitistic work in Krakow distanced themselves from perceiving the theatre of dolls as exclusively children-oriented. By gathering around themselves a group of distinguished artists, they consistently and reasonably built up the repertoire and Groteska stage for the adult audience. In their search, they included Konstanty Ildefons Gałczyński, Sławomir Mrożek, and Tadeusz Różewicz. This paper is an attempt at analysing and reconstructing the performance of Kartoteka (a drama by Różewicz), which was staged in Groteska Theatre (interpretation by Zofia Jarema, stage design by Kazimierz Mikulski) a few months after its Warsaw preview in the Drama Theatre. The author of the paper also discusses the type of influence which this performance and the Jaremas’ activity in general had on the contemporary theatre of dolls.

DE

Zofia and Władysław Jarema – the founders of the Groteska Theatre – from the beginning of their artitistic work in Krakow distanced themselves from perceiving the theatre of dolls as exclusively children-oriented. By gathering around themselves a group of distinguished artists, they consistently and reasonably built up the repertoire and Groteska stage for the adult audience. In their search, they included Konstanty Ildefons Gałczyński, Sławomir Mrożek, and Tadeusz Różewicz. This paper is an attempt at analysing and reconstructing the performance of Kartoteka (a drama by Różewicz), which was staged in Groteska Theatre (interpretation by Zofia Jarema, stage design by Kazimierz Mikulski) a few months after its Warsaw preview in the Drama Theatre. The author of the paper also discusses the type of influence which this performance and the Jaremas’ activity in general had on the contemporary theatre of dolls.

Keywords

PL

Jarema; Mikulski; teatr lalek; Teatr Groteska; Różewicz; Jarema; Mikulski; teatr lalek; Teatr Groteska; Różewicz

DE

Jarema; Mikulski; the theatre of dolls; Groteska Theatre; Różewicz

EN

Jarema; Mikulski; the theatre of dolls; Groteska Theatre; Różewicz; Jarema; Mikulski; the theatre of dolls; Groteska Theatre; Różewicz

RU

Jarema; Mikulski; teatr lalek; Teatr Groteska; Różewicz

• Publisher: Uniwersytet Komisji Edukacji Narodowej w Krakowie
• Journal: Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
• Year: 2019
• Volume: 19
• Pages: 243-256

Dates

published

2019-12-25

Contributors

author

Grzegorz Eckert

• Uniwersytet Śląski

• https://orcid.org/0000-0002-7538-3590

References

• Bogucki J., Mikulski, Kraków 1961.
• Flaszen L., Różewicz w maskach, „Echo Krakowa” 1961, nr 53.
• Jurkowski H., Stafiej A., Zofia i Władysław Jaremowie – dokumentacja działalności, Łódź 2001.
• Kerényi K., Człowiek i maska, [w:] Antropologia widowisk, red. L. Kolankiewicz, Wrocław 2005.
• Kudliński T., Nasz Ionesco, „Dziennik Polski” 1961, nr 56.
• Mamoń B., Różewicz w „Grotesce”, „Tygodnik Powszechny” 1961, nr 10.
• Mazur K., Różewicz w krakowskiej „Grotesce”, „Teatr” 1961, nr 1.
• Mlekicki D., Zofia Jarema, http://www.encyklopediateatru.pl/scenograf/7126/zofia- -jarema (dostęp: 28.04.2018).
• Różewicz T., Kartoteka, „Dialog” 1960, nr 2.
• Różewicz T., Zielona róża; Kartoteka, Warszawa 1961.
• Stafiej A., Dama wfioletach, http://www.e-teatr.pl/pl/artykuly/66102,druk.html (dostęp: 28.07.2019).
• Szczepański J.J., Z programu „Kartoteki”. Wystawa malarstwa Kazimierza Mikulskiego, red. T. Bryjowa, wstęp M. Porębski, Warszawa 1963.
• https://encyklopedia.pwn.pl/haslo/Obrazcow-Siergiej-W;3949425.html (dostęp: 29.04.2018).

Identifiers

DOI

10.24917/20811853.19.16